Category Archives: 1997
Memory is a selection of images, some elusive, others printed indelibly on the brain. The summer I killed my father, I was 10 years old.
It has been a decade since I have seen Kasi Lemmons’ Eve’s Bayou. I remember that it was sitting in my grandmother’s VHS shelf for years gathering dust for all I know. I saw a copy of the movie that my library and picked. I remember certain parts of the movie, but it’s good to have a refresher.
1962 Louisana is where we have the story of the Batiste family. Eve (Jurnee Smollett) named after an ancestor that saved her master from dying, is being treated unfairly by the family. Being the middle child, she is left out in the cold.
During a house party one night, Eve caught her father, Louis (Samuel L. Jackson) being intimate with a woman, Metty Mereaux (Lisa Nicole Carson) in the carriage house where she was hiding. Traumatized about what she saw, Louis tries to keep his secret quiet from his wife, Roz (Lynn Whitfield).
She tries to tell her older sister, Cisely (Meagan Good) about what she saw, but Cisely chooses not to believe her. She thinks that she is lying. Cisely spins the story to say that they were drunk and falling on each other.
Eve begins to have terrible nightmares or maybe they are premonitions of what things are to come. She hangs around her Aunt Mozelle (Debbi Morgan) who is the psychic around the bayou and possibly practices voodoo.
Roz knows deep down in her soul that Louis is being unfaithful to her. She regrets leaving her family for a snake in the grass. Walking down by the bayou, Roz and Mozelle stumbles upon Elzora (Diahann Carroll), a rival psychic of Mozelle’s. Curious Roz decides to have a reading that warns her of impending doom in her family. Unimpressed by Elzora, Mozelle asks for a reading. Elzora tells her that she is a “black widow” cursed with having the loves of her life dies in front of her very eyes.
Slowly but surely, the secrets that were long-buried deep come up in unexpected ways. The family lives turn upside down.
It is refreshing to see a black movie that has complex characters. They are fully realized. I especially enjoyed watching Debbi Morgan’s performance. She won nominated for a couple of awards for her performance and won the Indie Spirit Award. It was well deserved.
Judgment: A movie that has heart, but tends to veer into the melodramatic at times.
You don’t know what I can do! You don’t know what I can do, what I’m gonna do, or what I’m gonna be! I’m good! I have good things and you don’t know about! I’m gonna be something! I am! And don’t fucking tell me I’m not!
— Dirk Diggler
Since Julianne Moore has been wisely picked as the next LAMB Acting School 101, I thought I would revisit some the movies that she has made that made us fall in love with her onscreen. First is the movie that nobody thought would get made because of the subject. Nobody has a made a Hollywood mainstream picture about porn before. Julianne was nominated from an Oscar for her supporting work as well as Burt Reynolds and director Paul Thomas Anderson for his script for Boogie Nights. This movie is still memorable to watch and it is not because of the last shot of the movie. Get your minds out of the gutter.
The movie borrows the life story of legendary porn star John Holmes and his involvement in the Wonderland murders in this movie to a certain point. Recast in the role of John Holmes is 17-year-old high school dropout, Eddie Adams (Mark Wahlberg), a down on his luck young man who is blessed with a tripod in his pants. He works for Maurice TT Rodriguez (Luis Guzmán) at his club, Hot Traxx as a bus boy.
Major porn director Jack Horner (Reynolds) spots Eddie and wants to put him in his upcoming movie that he is shooting soon. He considers the offer. Looking upon the coiled snake in his briefs, Eddie thinks that is his ticket out of his humdrum life in Torrance with his ice queen of a mother, (Johanna Gleason). Jack decides to thrown in a ringer with the willing mouth of Rollergirl (Heather Graham), which prompts him to further audition with Rollergirl in home he shares with motherly Amber Waves (Moore).
Decided to go under the tutelage of Horner, Eddie meets some of his co-workers like the man who tries to be hip, but fails miserably, Buck Swope (Don Cheadle), the black superstar, Becky Barnett (Nicole Ari Parker), the everyman, Reed Rothchild (John C. Reilly), Little Bill (William H. Macy) who has to keep tabs on his cheating wife (Nina Hartley), the cameraman Kurt Longjohn (Ricky Jay) and the sound guy that develops a crush on Eddie, Scotty J (Philip Seymour Hoffman).
The producer of Jack’s films, The Colonel (Robert Ridgely) asks Eddie to change his name into something that he is comfortable with. He decides on his name from a dream that he had, Dirk Diggler. On his first day on set, he is natural having sex in front of a room full of people with Amber. Dirk quickly becomes the number one male porn star in the business with the fancy clothes, polished cars and the awards. As is customary with stardom, what goes up must come down. This is all about Dirk’s tumultuous journey in the industry.
The movie is playful with the bad porn dialogue the actors have to recite, but there is also some touching moments Rollergirl gets called out in during the exam, Amber trying to talk to her son or Dirk’s downward spiral were devastating to me.
I loved the performances from Mark Wahlberg’s first leading role in a film was beyond what I expected from a former pants-dropping rapper, Burt Reynolds was calm, cool and collected and of course, Julianne Moore looked like she was in 1970s with her fiery red hair, freckles on her porcelain skin and her demeanor as Amber Waves. It was her laid back presence that give her notice during the 1998 award show season.
Judgment: This is the best movie about the porn industry ever created.
I see Bud because I want to. I see Bud because he can’t hide the good inside of him. I see Bud because he treats me like Lynn Bracken and not some Veronica Lake look-alike who fucks for money.
— Lynn Bracken
It has been years since I have seen Curtis Hanson’s L.A. Confidential. Too long, I should say. This is currently #61 on the Top 250 of All-Time on IMDb. It deserves to be there. I thought it was overshadowed by a certain movie about a doomed boat that dominated the 1997 Oscars. It managed to win Oscars for Best Adapted Screenplay for Hanson and fellow screenwriter Brian Helgeland and Best Supporting Actress honors for Kim Basinger. This movie is a masterpiece. There I said it.
Based on the first book from author James Ellroy’s L.A. Quartet trilogy, it starts with the murder of known drug dealer, Mickey Cohen (Paul Guilfoyle). This triggers a systematic takedown of his men. Three 1950s LA cops have to deal with the case from different angles. Officer Bud White, played by at the time unknown to American audiences Russell Crowe. White was the brute of the force that has a short fuse. Sgt. Jack Vincennes (Kevin Spacey) that thinks that he is the star of the precinct because he is the technical advisor on the hit TV cop show, “Badge of Honor.” He is in cahoots with sleazy gossip columnist, Sid Hudgens (Danny DeVito) trading criminals and drugs for money and headlines in Hush-Hush magazine. Sgt. Ed Exley (Guy Pearce) is the straight-laced officer that wants to a detective, but doesn’t have the stomach for the job.
Exley witnesses the extent of the corruption in the station when a group of Mexicans are beaten by most of the officers, because they were suspects of beating up a couple of cops. The fallout of this incident trickled down when White is suspended for not testifying against his boozy partner, Dick Stensland (Graham Beckel). Exley is the complete opposite; he would be labeled ‘the snitch’ to get a new promotion, a deputy lieutenant. Vincennes is reassigned from narcotics to vice. Fellow officers would backstab each other to save their own asses. White would be the muscle working under Capt. Dudley (James Cromwell).
At one of the drug-related murder scenes, Vincennes finds a card for “Fleur-de-lis” that could be connected to a murder at the Nite Owl Café where Stensland gets killed. The station thinks that a trio of Negro shooters was responsible for it. They hunt them down. Meanwhile, White recognizes of one of the victims as a girl he has seen in the back of Pierce Patchett’s (David Strathairn) car with Lynn Bracken (Kim Basinger) in tow. White learns that Patchett is running a prostitution ring to make the call girl look like Hollywood movie stars.
As the investigation intensifies, loyalties are tested, friendships are broken, and people show their true colors.
I may not have written how brilliant this movie is. All I say is that Curtis Hanson has a created a movie that had fantastic, crisp dialogue delivered perfectly from the main stars to the supporting players. The tension was there. I was on the edge of my seat. I know what was coming, but I still felt something about the characters. What is going to happen to them? The costumes, the art direction, it felt like I was in the 1950s. It didn’t feel like a fake movie set. It was organic. It had a life of its own. I appreciate that. Brava, Mr. Hanson.
Judgment: A fantastic film noir that makes you could to revisit more of them after watching this.
You’re some sort of big, fat, smart-bug, aren’t you?— Johnny Rico
Starship Troopers is a movie that I wanted to see for a long time, because it has become a cult classic to sci-fi geeks since its release in 1997. People said that when it was released that it was terrible. I would not say that it’s terrible. I have some huge issues with the movie, but it was fun.
The film is based on the 1959 novel by Robert Heinlein. The plot revolves around Bueno Aires in the near future where a trio of friends, Johnny Rico (Casper Van Dien), Carmen (Denise Richards) and Carl (Neil Patrick Harris) are preparing to graduate from high school that think about what they are going to do with their lives.
They want to enroll in the Federal Service for different reasons. Carmen wants to be a pilot. Carl wants to understand alien species and Rico wants to be there just for Carmen.
After they leave for the Federal Service, the Arachnids attack Earth and thus starts the intergalactic war.
There is so much blood in this movie. It was like a slasher film. Decapitated, mangled, split-apart bodies strewn all over the place.
Watch out for a lot of explosions of red, green, and orange.
The movie was kick ass, but I have some problems with it.
- The teenagers were from Buenos Aires, but they were played by white actors.
- When Carmen gets punctured in the shoulder by an arachnid, ten minutes later she is holding a gun blowing the away.
- The dialogue was too campy for my taste. I had to laugh.
- The romantics rivals Dizzy and Zander (Dina Mayer, Patrick Muldoon) were outrageous.
Judgment: It was a fun ride, but you have to let a lot things go to enjoy it.
On Christmas, I was looking at Fight Club. It was shown on G4 on their “Movies That Don’t Suck” showcase.
I did not see this film when it was released in theaters in 1999. I was so broke that I couldn’t a ticket. I caught this film when it was on cable a couple of months when it was on rotation. I saw different parts of the movie, but somehow I didn’t see the ending of the film. When I finally saw the ending, it was a sucker punch to the jaw.
I was looking at the movie to see what were the clue that lead to the end of the movie. I totally missed them. Now that I know, it has become a better movie, because of it.
If you don’t know the premise, I’ll summarize. It’s a story about The Narrator (Ed Norton), a mild-mannered salesman meets Tyler Durden (Brad Pitt) to start an underground fight club.
That’s it. It’s a very simple plot line that is executed very well. There are some great dialogue.
My ratings: ***1/2 stars.