Monthly Archives: February 2011
I decided to stop pitying myself. Other than my eye, two things aren’t paralyzed, my imagination and my memory.
— Jean-Dominique Bauby
I have wanted to watch Julian Schnabel’s The Diving Bell and the Butterfly for years, but I have not had the chance to watch until I saw it at the local library. The #220 Movie of All-Time on IMDb was nominated for four Oscars including Best Director and Best Adapted Screenplay. I was so happy that I watched this film.
Based on the book of the same name, The Diving Bell and the Butterfly recounts the harrowing story of French Elle editor, Jean-Dominique Bauby (Mathieu Amalric) who was living the life when he is suddenly struck by a massive stroke. He wakes up after a three-week coma in a hospital in Bereck-sur-Mer. The audience could hear Jean-Do talking, but he does not realize that he cannot speak or move anything on his body, except his left eye.
Most of the movie is shown at Jean-Do’s perspective. Very first person. The audience could connect with the lead character this way and gets a taste of his new state of being. His personal doctor Lepage (Patrick Chesnais) discusses with him that he had a cerebrovascular episode that rendered him a vegetable except for blinking in his left eye, otherwise called “Locked-In Syndrome.”
The staff starts the rehabilitation program to help him regain some range of motion. You notice more and more that Jean-Do is always internally flirting with his female speech therapist, Henriette Roi (Marie-Josée Croze). He communicates with blinking once for “yes” and two for “no”, which progresses to Henriette teaching the alphabet in order of frequently used.
Jean-Do does not want to live with Locked-in Syndrome. He wants to die. He has momentary glimpses of his former life being the toast of the town, having a family with his companion, Céline (Emmanuelle Seigner) and being in love with his mistress, Inès (Agathe de La Fontaine). He recounts his many regrets and missed opportunities in his life. Jean-Do wants to tell his story. He decided to dictate his memoirs through Claude (Anne Consigny) one letter at a time.
I cannot imagine anybody except for an artist like Schnabel to make this movie happen. He paints a picture of sorrow, heartbreak, regret, but ultimately it is hopeful. No matters what life throws at you, you can overcome all obstacles. This speaks to the determination of Jean-Do, who did not want to exist, he wanted to leave his mark on life.
The cinematography transfixes the audience to the mindset of Jean-Do, to experience what he is experiencing. It was a great piece of cinema to gaze upon. You would think that hearing the alphabet being repeated a million times would annoy the hell out of you, but it didn’t.
Judgment: This is a perfect example of art imitating life.
I’m watching "Ebert Presents At the Movies" right now and they’re discussing the 5 movies that made them critics. What are the 5 that made you a critic or a film lover?
The five films that made me a film lover: the first is "Stand by Me", because I love a coming of age story with foolmouthed kids. Second is "The Shawshank Redemption", because it is the perfect movie. I dare you to find a flaw in it. I double dog dare you. Next are "Shakespeare in Love" and "Saving Private Ryan" because I was theater nerd in high school and they made me want to watch my first Oscars ever. Last but not least is "Brokeback Mountain", I recently reviewed and I shared my expierence of watching the movie when it was in limited release. Having that shared expierence made me love the cinema.
Ya know it could be like this, just like this always.
— Jack Twist
Ang Lee’s Brokeback Mountain was the seminal movie that ignited my passion for the cinemas. I was obsessed with this movie when it came out. I didn’t see most of the Best Picture nominees that year for that reason. It was the be all, end all for me. It went on to when three Oscars including Best Director, Best Original Screenplay and Best Original Score. The Oscars were on my “shit list” for a long time that it did not win Best Picture, instead of giving it to Crash.
Summer 1963. Wyoming. A gruff rancher named Ennis Del Mar (Heath Ledger) and brooding Jack Twist (Jake Gyllenhaal) help out sheep herder Joe Aguirre (Randy Quaid) move his flock on Brokeback Mountain without the park rangers smelling him out. It seems like everyday is the same with eating beans, watching the sheep; Ang Lee brilliant direction makes it fascinating to watch their relationship unfolded. Jack’s innocence softens Ennis’s tough exterior. He begins to express himself more.
One night, their friendship is changed forever after a night of drinking they have sex. Multiple questions arise: did Jack forced himself Ennis? Did they come together because they were the only humans around? Afterwards, they try to shake it off as a one time only occurrence. They can’t because they are beginning to fall in love with each other.
They thought that they could keep their relationship secret, but it is the worst kept secret. The work they are sent to do suffers as Aguirre’s flock is confused with another sheep herder and a massive snow storm cut their time short. Jack and Ennis have to go their separate. They don’t work to leave each other’s side, but it was a different time in 1963. They can’t run away together and go to Greenwich Village or San Francisco.
Ennis marries his longtime girlfriend, Alma (Michelle Williams) and quickly starts a family with her. Jack tries to get back into the rodeo circuit, but he meets the forward, Lureen Newsome (Anne Hathaway). I never realized that each guy married a female version of each other. Alma is passive like Jack and Lureen is more take charge like Ennis. They try to lead “regular” lives as fate steps in to turn their worlds upside down.
I remember the first time that I saw the film at the Landmark Theater back in Houston. It was a couple of days after it opened in limited release that December. The line for the movie was around the corner. It was amazing to see straight and gay couples wanting to see this movie. The movie was packed. It sat on the very back of the theater. I wanted to soak the experience in. I’m glad I did. I laughed. I cried. I went on a journey with these characters.
Oh, how I love this movie. Let me count the ways. The beautiful, breathtaking mountain peaks captured on video by Rodrigo Pietro, the haunting score by Gustavo Santaolalla, the excellent acting by Heath Ledger, Jake Gyllenhaal and Michelle Williams. I was surprised that the movie only won three Oscars. It boggles the mind.
The movie is not perfect. I did have some troubles with Anne Hathaway towards the end of the movie and some of the small female roles were throw aways like Anna Faris and Linda Cardellini. There was also the conclusion of the relationship. It was a little cliché.
Judgment: This is a prime example of why the Oscars don’t know what the fuck qualifies as the Best Picture of the year.
Hello, people. I cannot believe it has been a year since the last “Omies”. This year was so lackluster that I had to scrape the bottom of the barrel to get some worthy nominees for this year. Here are the nominees. You can only vote once per category. Make it count. If you see a nominee that it NOT on the list, you can write it in. It will count as a vote. The winners will be announced on the day before the Oscars. Happy Voting!