Category Archives: 1992
I’ve killed women and children. I’ve killed everything that walks or crawls at one time or another. And I’m here to kill you, Little Bill, for what you done to Ned.
— William Munny
I can cross Unforgiven from my list of great movies that I have never seen. Touted as Clint Eastwood’s final western the movie went on to win a four Oscars, including Best Picture, Best Director for Eastwood and Best Supporting Actor for Gene Hackman. As many of you know that I am not a big fan of westerns, but this one is different. The #110 movie of All Time on IMDb, this movie transcends the traditional template of a western.
The crux of the movie is about a dispute in Wyoming between a cowboy Quick Mike (David Mucci) cutting the face of a prostitute, Delilah (Anna Levine) who questioned the size of his manhood when they were trying to have sex. His partner Davey Bunting (Rob Campbell) comes into the room and takes part in the brutal slashing.
Little Bill (Gene Hackman), the sheriff of Big Whiskey wants to give the boys a couple of lashings with a whip, but the girls wanted them to receive a worse punishment. Little Bill lets the boys go by just taking half of their horses as their punishment.
Seeking justice, the lead madame, Strawberry Alice (Frances Fisher) and the rest of the girls gather all of their money together– a thousand dollars– as reward for any gunslinger that would gun down.
The news travel throughout the land when The Schofield Kid (Jaimz Woolvett) seeks out retired gunslinger from Kansas, William Munny (Eastwood) to join him in killing the cowboys. He changed his ways from the drink, the cussing and the killing. He hasn’t picked up a gun in over a decade and doesn’t know if he could get back in the saddle.
Eventually, William takes him up on his offer. Along the way, William recruits his friend and another former gunslinger, Ned Logan (Morgan Freeman). Going on the way to Big Whiskey, the trio realizes some truths about themselves.
Meanwhile in Big Whiskey, a known marksman, English Bob (Richard Harris), known for killing Chinamen moseys onto the town with his biographer W.W. Beauchamp (Saul Rubinek). He is met with some resistance by Little Bill and the lawmen.
There is an ordinance says that all outlaws must surrender their weapons. Little Bill doesn’t want to be cut down by an assassin’s bullet in his town. He becomes more paranoid that another marksman is going to turn his town into a shooting gallery.
This quiet film might not sit well with rough and tough, shoot ‘em up kind of viewer. I thought this was subdued brilliance. The shadows filled the scenes in dark bars or dimly lit rooms like a film noir. You get the sense of authenticity when see this film.
The themes of regret and redemption interwoven throughout the movie with William going back to life of being a criminal after her has made a promise to his dead wife or the way that The Schofield Kid reacted towards the end of the movie about killing a man.
Judgment: A fascinating portrait of gunslingers way past their prime in the Old West.