Category Archives: 1994
Your body’s dying. Pay no attention, It happens to us all.
I haven’t seen Interview with the Vampire in years. It has been so long that I forgot that Neil Jordan directed the film that was based on the book by Anne Rice. She wrote the screenplay and was famously know for disliking Tom Cruise being cast as Lestat. I still enjoy watching it again.
Louis de Pointe du Lac (Brad Pitt) is a 200-year-old vampire recounts his life story to an interviewer, Daniel Malloy (Christian Slater) in his sparse apartment in San Francisco. At first, Malloy doesn’t believe that he is one, but Louis’ ability to movie stealth speed convinces him.
Louis starts in beginning circa 1791 Louisiana when his wife and child die within a year each other. He doesn’t want to live until he meets Lestat de Lioncourt (Tom Cruise), a vampire that could grant him his wish for death.
Louis decides that he wants to have the gift of immortality. Newly turned, Lestat teaches Louis about how to be a vampire. Lestat has an unquenchable thirst for blood, going through three victims a night. Louis has the hunger, the desire, the thirst for blood, but he doesn’t want to take a human’s life. Over time, Louis hates Lestat for giving him his undead life. He resents him.
Lestat turns his attentions to the slaves in the surrounding area that rises concern with their servant girl, Yvette (Thandie Newton). When Louis’ desire takes over and tries to bite her, the slaves along with himself burns the mansion him and Lestat share, down.
Louis is always tortured about being vampire. They become nomads, moving from the place to place, feeding the people of New Orleans. Everything comes to a head when Louis couldn’t kill a young woman that Lestat wants him to do.
On the streets, a young orphaned girl is dying of the plague, Claudia (Kirsten Dunst). Louis takes pity on her. She is taken in and fed Lestat’s blood when she turns. She becomes their surrogate daughter when the thirst takes over her.
She becomes Lestat’s protégé. She matched his thirst for the kill. Lestat want to rule over their lives. Over three decades pass and Claudia wonders why she cannot grow up. Both Claudia and Louis are tortured because they realize that they will never grow old, never die. They want to leave Lestat.
I was swept up with the allure of these vampires. The dialogue is still sharp. The costumes were fantastic. I have a few minor gripes with Antonio Bandera’s heavy accent as Armand. Sometimes I couldn’t understand what he was saying. You can tell that there was some wire work in this movie. It shows. There is also a portion of the film that I need explained. Spoiler section time.
Judgment: A great vampire story that makes you wonder why people are into Twilight.
I’m not even supposed to be here today!
— Dante Hicks
This is the first time I have seen Kevin Smith’s breakthrough film, Clerks. Since its release in 1994, it has a cult following with people who follow Smith. This film reeks with Smith’s staples raunchy, obscenity filled, witty dialogue. It’s not a masterpiece, but it was a enjoyable ride.
The movie revolves around the day of the life of Dante (Brian O’Halloran), a lonely convenience store worker that is trying to get through the day. He is called into work on his day off to open up the store. He doesn’t want to deal with the riffraff that comes into the store everyday.
This is a mundane take on twenty-something people that are living their unremarkable lives. Dante is friends with Randal (Jeff Anderson) who works a crappy video store that is attached the store. Randal is an abrasive personality that rubs Dante the wrong way.
Dante has to deal with his girlfriend, Veronica (Marilyn Ghigliotti) always prodding him to do something with his life instead of working at the convenience store. Dante still has feelings for his ex-girlfriend, Caitlin (Lisa Spoonauer), who he finds out in getting married.
Throughout of the movie, Dante and Randal have to deal with multiple customers with some serious problems. Have Jay and Silent Bob (Jason Mewes, Kevin Smith) loitering in front of the store selling drugs and such.
A movie shot entirely in black and white was a good choice to convey how lifeless these characters lives are. O’Halloran had some very good moments in this film. There was a long continuous shot between two characters that lasted roughly five minutes was great.
That being said, this movie is not all good. Some of the sequences dragged on a bit too much. I don’ know if Smith wanted the customers to be overtly quirky and insane. The character of Randal is such a dick; I don’t understand how Dante could be friends with him.
Judgment: All and all, not the greatest movie ever, but an interesting take on people trying to find their way in the world.
I’m prepared to scour the the Earth for that motherfucker. If Butch goes to Indochina, I want a nigger waiting in a bowl of rice ready to pop a cap in his ass.
It has been fifteen years since the release of Pulp Fiction, which ushered Quentin Tarantino in the mainstream. The movie has been heavily quoted since its release. It did win for Best Original Screenplay. That’s says a lot. It was also nominated for seven Oscars. It’s currently #5 on the Top 250 of All Time on IMDb. It belongs there.
I owned the VHS of this movie and played it repeatedly. I could quote almost every line from the film. It sucked that my brother’s former girlfriend took the tape with her when they broke up.
It been awhile since I have seen this. After watching Inglourious Basterds, I wanted to see this movie again. I still enjoy the dialogue, the classic music and most of the performances. This fringe movie bent the rules of the Academy. It deserved a lot more acclaim.
If you don’t know the plot of the story – shame on you – revolves around multiple narrative that intercept and become jumbled up. It starts with a pair of robbers, Ringo and Yolanda (Tim Roth, Amanda Plummer) holding up a restaurant where two hit men who had a interesting day on the job, Vincent Vega and Jules Winnfield (John Travolta, Samuel L. Jackson).
In his signature broken narrative, there is also stories about Vincent taking his boss’s wife, Mia (Uma Thurman) on a night on the town, dealing with a skuzzy drug dealer, (Eric Stolz). The boss, Marsellus Wallace (Ving Rhames) dealing with an aging boxer, Butch (Bruce Willis) to throw a fight.
Tarantino is known for his long, drawn out dialogue scenes with some sprinklings of violence. One sequence still bothers me to this day. It’s the moment about the origin of “the gold watch”. It didn’t make any sense to me. Why was that in the movie? Why was that the motivation to Butch?
Judgment: If you haven’t seen this movie, return your movie snob card immediately.
Let me to tell you something, my friend. Hope is a dangerous thing. Hope could drive a man insane.— Red
I was not expecting to see The Shawshank Redemption last night. It was a pleasant surprise. I was flipping through the channels and it was starting on Encore. I thought, “What the hell?” Don’t hate me, but I haven’t seen the film from start to finish. I caught bits of the film in the past couple of years since it was released in 1994 on basic cable.
I thought that this is masterful storytelling by writer/director Frank Darabont. Based on the novella, Rita Hayworth and Shawshank Redemption by Stephen King. It so weird. My favorite movies of all time were based on Stephen King’s material.
This was a vastly under appreciated movie that lost to that certain emotionally manipulative Tom Hanks vehicle that year at the Oscars. It was nominated for seven Oscars and didn’t win a single one. It is a crime.
It tells a compelling story about friendship developing between two inmates in Shawshank Prison, Andy Dufrense (Tim Robbins) and Red (Morgan Freeman). It dealt with the struggles from day to day in order to survive. Dealing with a corrupt staff that includes the Warden (Bob Gunton) and the Captain (Clancy Brown). It also deals with innocence and what is gained from seeking justice.
It is a wonderful film that is number one on the IMDB Top #250 list for a reason. It goes to show you that the Academy doesn’t know shit about awarding deserving movie, instead of atypical Oscar-grabby movies.
Judgment: If you haven’t seen this movie, you should be ashamed. Watch it immediately.