The Kids Are All Right is one the of movies that I regretted not seeing last year. I was kicking myself because I wanted to see the movie from my Julianne Moore blog-a-thon for LAMB Acting School 101. The movie was nominated for four Oscars, including Best Picture, Actress, Supporting Actor and Original Screenplay. After hearing the tremendous buzz around this film, I was a little disappointed with it.
Nic (Annette Bening) and Jules (Julianne Moore) have been in a committed relationship for over twenty years. Like with every relationship, they have hit a plateau. Nic is the sole breadwinner of the family working as a doctor, while Jules is starting up a landscape architect business.
Recently celebrating their daughter, Joni’s (Mia Wasikowska) 18th birthday, their family dynamic changes when Joni and her half-brother, Laser (Josh) snoop around their moms personal belonging to find the identity of their birth father. The sperm bank calls sperm donor, Paul (Mark Ruffalo) to ask him if her would like to see his kids. He agrees.
Paul initial meeting with the kids comes off awkward as Joni is more receptive to getting to know Paul and Laser is more guarded. Laser lets the secret meeting with his birth dad slip when his moms question his relationship with best friend, Clay (Eddie Hassell). Nic and Jules think that the kids should not meet Paul again until they have a chance to meet him.
When the family meets Paul, Nic is weary about him whiles Jules is open to getting to know him. When the conversation turns to Jules business, Paul wants to hire Jules as his landscape architect for his overgrown backyard. The relationships between everyone changes when an indiscretion threatens to tear the family apart.
I think that screenwriters Lisa Cholodenko and Stuart Blumberg have created a fully realized family that you are not bothered that the family has two moms. I did feel that some plot points were not explored enough with Laser’s friendship with Clay, Paul’s flirt-flirt with Tanya (Yaya DaCosta) or Joni with her friends, Jai (Kunal Sharma) and Sasha (Zosia Mamet).
A couple of things really bothered me with the movie was the grainy-ness of the film. I don’t know if that was Cholodenko’s intention for that to happen or it was the transfer to DVD. Also, the indiscretion felt familiar, because it was a plot point in Queer As Folk. It was like okay.
Judgment: It feels like an accessible movie that everyone could enjoy.
This business transaction, which is what this was, is over!
— Catherine Stewart
I have heard of Atom Egoyan’s latest movie, Chloe earlier this year when I saw the trailer for it. I wanted to see the movie, but it never came around my area. When it finally came out on DVD, I had to end my Julianne Moore bender with one of her latest movies. I knew that the basic premise of the movie was taken from a 2003 French film called Nathalie… This movie tried to be Fatal Attraction, but failed miserably.
A marriage that seems to be in disrepair when the wife, Catherine Stewart (Julianne Moore) is suspecting that her college professor husband, David (Liam Neeson) is cheating. She comes up with this because he misses his flight to come home from a guest lecture on his birthday. The next morning when he finally does come home, he tells her that he would be working late.
Her suspect ions grows when David accidentally leaves his phone behind and it rings. Curious, Catherine checks the phone to see a suspicious email from a woman thanking her husband for the good time last night. She is devastated and tries to put on a brave face to keep up the charade. Catherine meets up with a young beautiful call girl named Chloe (Amanda Seyfried) who she has seen coming out of the hotel across the street from her OB-GYN office. She hires Chloe to try to seduce her husband and see what he would respond.
After the first meeting with David, Chloe reports back to Catherine about going to David’s favorite lunch spot. Chloe pretends to be David’s type, a student that is studying language. She tried her feminine wiles on David, but he was just friendly, nothing more.
Catherine is not convinced that David was not incapable of going further. She asks Chloe to go a little further with her husband and she would pay her. After the next meeting, Chloe say that David and her went on lunch date where he asked her to kiss him. Catherine’s suspicions are confirmed and doesn’t want to involve Chloe in their lives anymore. Chloe has another motives to involve herself in both of their lives.
I understand that Egoyan wanted to make a movie about longing and desire, but then it descends into another woman scorned movie that we have seen a billion times. The movie felt vapid. Devoid of any kind of depth of the subject. The biggest selling point of the movie is the pivotal sex scene. It certainly was titillating, but I thought it was tacked on. I understand that Catherine was having a thrill on the lurid details Chloe told about the trysts with David, but it was like a romance novel nightmare.
Judgment: It’s a movie with cheap twists and turns and leaves you unsatisfied.
I can’t really remember when I last had any hope, and I certainly can’t remember when anyone else did either. Because really, since women stopped being able to have babies, what’s left to hope for?
— Theodore Faron
I have meant to watch Alfonso Cuarón’s adaptation of P.D. James’s novel, Children of Men. I have heard nothing but good things about this movie. It is now the 189th Film on the IMDb Top 250 Films list. It was nominated for three Oscars including Best Cinematography, Best Film Editing and Best Adapted Screenplay. I wondered at the end of the movie, why the hell didn’t I see this movie sooner?
The movie’s setting takes place in the dystopian world of 2027 London where the world’s population is descending into chaos after the world became infertile. The reason for the phenomenon has not been known until certain events could shed light on the plight of humanity’s survival. There is a countrywide crackdown on illegal immigrants that are brought to refugee camps.
The main person that we fellow is a former activist, Theo Faron (Clive Owen) who is working soul-sucking 9-to-5 job where he was almost killed in a bomb blast getting coffee. The world is in mourning over the death of the youngest person in world who was a little over 18. He skips out on work to visit another former activist friend of his, Jasper (Michael Caine) is a hermit living in the middle of woods growing marijuana in his house.
Jasper tells Theo about “The Human Project” which is a secret government project that could help cure the infertility in women. Theo doesn’t believe a place existed. When Theo world is rocked when he is abducted by Luke (Chiwetel Ejiofor), Patric (Charlie Hunnam) and Ian (Paul Sharma) who are members of the Fishes, which is an underground guerrilla group that is fighting for the rights of the immigrants.
The leader of the group is actually Theo’s ex, Julian (Julianne Moore) who wants Theo to do a big favor for her. She wants Theo to get transit papers for a “fugee girl” that is trying to get out of the chaos of London. Theo is resistant to do it when Julian offers him $5,000 pounds, he reconsiders it. He goes to his cousin, Nigel (Danny Huston) to ask for the papers. All Theo could get is joint transit papers, which means that he has to go with the girl.
Julian brings Theo to the place where the girl, Kee (Clare-Hope Ashitey) is hidden away at with her guardian, Miriam (Pam Ferris). The group, including Luke ride out to a checkpoint to get her on a boat away from the place when the car is attacked by rioters and Julian is shot. Things go from bad to worse when Theo realizes that Kee is pregnant. Now, he knows that stakes and lengths that people would go to get close to Kee and her unborn child.
At first, I didn’t know what to make of this movie because the beginning of movie was fine, but nothing exciting was happening. Then when the revelation of Kee’s pregnancy happened, I was hooked right in. It was a tense=filled ride for that time forward. I wanted characters to be all right. I was afraid when danger would come knocking on their door. I have never been so moved by an ending like I did this one.
The movie felt a lot like The Road is some respects, but this movie had hope and heart it in it. The allegories of the concentration camps, Abu Ghraib, September 11th, the war in Iraq were not lost on me. It reminded me of another movie, Blindness that I didn’t care for that much. This world felt like modern times that it eerily gave us a glimpse into a possible future. After you read this review, go and buy this movie. Watch it, experience it. You will not regret it.
Judgment: I didn’t know how could I recommend this movie highly enough?
Someone has to die in order that the rest of us should value life more. It’s contrast.
— Virginia Woolf
The adaptation of Michael Cunningham’s book, The Hours garnered nine Oscar nominations in 2002 and it was won for Nicole Kidman as Best Actress for playing Virginia Woolf I haven’t seen this movie in years. I turned to it when it was on cable and watched it. I didn’t much care for it, because it was so dreary and depressing that I wanted to kill myself after watching it. I shouldn’t have been as harsh as I been, but it is not an enjoyable film to sit through.
Three seemingly separate stories from three different twenty-four hour periods that are woven together in this movie. It tells the day in 1923 of English writer, Virginia Woolf (Kidman) who is inspired to write the manuscript for her début novel, Mrs. Dalloway. It tells the story about a woman named Clarissa who is hosting a party, but she feels constrained by society’s rules that she is unhappy.
Virginia is subjected to live in countryside because of her history of mental illness and her attempts to kill herself. This worries Virginia’s husband, Leonard (Stephen Dillane) to no end that he has to change his life for her. When a visit from her sister, Vanessa (Miranda Richardson) shows her what she should do to her heroine in the end of her novel.
A depressed pregnant housewife in 1951 Los Angles reads Mrs. Dalloway, Sarah Brown (Julianne Moore) as her only mission is bake a cake for her husband, Dan (John C. Reilly) for his birthday. She feels that she living someone else’s life and not her own. She tries to hide it from her son, Richie (Jack Rovello) who wants to help his mommy out with the cake. The only break in her mundane day was when her neighbor, Kitty (Toni Collette) comes by the hospital to her some upsetting news. Sarah’s only escape is the book as a key to a better life.
Lastly, in 2001 is a modern of “Mrs. Dalloway”, Clarissa Vaughn (Meryl Streep) who is helping plan the party of her longtime friend who is stricken with full-blown AIDS, Richard (Ed Harris) who is receiving the Carruther’s prize for his poetry. Clarissa is running around trying to make Richard comfortable when he is slowing losing his mind as his body deteriorates. Clarissa’s girlfriend, Sally (Alison Janney) tried to lend a hand for the preparation, but Clarissa wants to do everything herself. Trying to please Richard could drive a wedge between Sally, Clarissa’s daughter, Julia (Claire Danes) or Richard’s ex-boyfriend, Louis (Jeff Daniels).
As I said before, this movie is dark and dreary about living an authentic life when you are given the role that you have to play. I understand that the movie tried to have that “ah-ha moment”, but I feel like it wasn’t earned in that respect. Almost everybody dwells on death, depression, mental illness, heartbreak, regret that when they have a change of heart seems cheap.
Seeing this movie again, I understand that it was Oscar baity when the serious drama, having a real person in the movie, setting it in different time periods. The characters were not that interesting to me. They seemed flat. The dialogue that they were saying was beautiful, but it felt out of place for me.
I cannot understand why Nicole Kidman won the Oscar for this. I cannot be because of the fake nose, matronly clothes and floppy hats. I cannot be just that scene in the train station alone. It has to be all encompassing. I think Julianne got shafted because they seemed like similar roles. They are polar opposites. Cathy wanted to be a part of the American dream, while Sarah wants to escape it. Meryl was doing her thing. She was solid in the movie. I didn’t like Clarissa.
Judgment: The movie is like looking at a beautiful. Think about it.
Oh, Raymond, Mrs. Whitaker sounds so formal! Won’t you please… ask me to dance?
— Cathy Whitaker
Writer/director, Todd Haynes wanted to make an homage of the Douglas Dirk bedroom melodramas of the 1950s. He created Far From Heaven, which garnered Julianne Moore another Oscar nomination for Best Actress. It was also nominated for Best Original Screenplay, Best Cinematography and Best Original Score. This was my favorite film of 2002 and I still stand by it.
This story is about a typical American family on the surface. There is the breadwinner of this Connecticut family, Frank Whitaker (Dennis Quaid) who is one of the sales executives at a company called Magnatech. His wife, Cathy (Moore) is the perfect homemaker that reminds you of Donna Reed. She juggles her wifely duties as mother to David (Ryan Ward) and Janice (Lindsay Andretta). Cathy is assisted by her trusty housekeeper, Sybil (Viola Davis) who watches the kids when has an errand to run or plans a cocktail party with her friend, Eleanor (Patricia Clarkson).
During the night of one of Cathy’s planned soirees, she is pulled from attending when she receives a call to pick up her husband from the police station for an incident earlier in the evening. On the drive home, the audience realizes that there are cracks in the foundation of the Whitaker marriage. Cathy tries her best to be close to her husband, who brushes her off. She concludes that it is just stress from work.
A reporter from the Weekly Gazette, Mrs. Leacock (Bette Henritze) comes by the house to interview Cathy for the couple being named Mr. and Mrs. Magnatech 1957. Cathy’s attention is distracted when a strange man is lurking in her backyard. She goes to see Raymond Deagan (Dennis Haysbert), the son of their old gardener who recently passed away. He is their new gardener and they introduce each other.
Frank pulls himself away from his family by diving head first into a big project that he has to do for work, going to the movies or hanging out in back alley bars. Cathy is jealous that her girlfriends could be intimate with their husbands and hers barely shows her any affection.
During another late night working for Frank, Cathy decides to take his dinner over to his office. When she arrives, she is in for the shock of her life when she sees Frank kissing another man. She is devastated as her seemingly perfect life is crumbling down around her.
Can I say that I love this movie? I love this movie. I’m not familiar with the bedroom melodramas of Sirk’s, but this movie makes me want to visit those movies that inspired this one. Todd Hayes created a fantastic movie with the classic title sequence and end credit, the luscious cinematography, the marvelous score by Elmer Bernstein, Sandy Powell’s costumes, the vibrant colors and the type of film Hayes used. It feels authentic, like it was a lost movie from that time. The subjects addressed in this film would be too taboo for audiences to see.
I want to highlight Haynes words. His original script was very nuanced. No word felt out of place. Being delivered by these wonderful actors is something to marvel. Moore was radiant. She portrayed Cathy as a typical housewife, but she has progressive feelings for the Negroes or women’s rights. With Cathy’s world was crumbling around her, she put on a brave face covering her inner pain. Moore was subdued in her portrayal of Cathy that I was rooting for her to win the Oscar, but she was denied.
A special mention has to go Dennis Quaid who I thought was robbed for a nomination for Best Supporting Actor and I continue to talk about the egregious error to this day. He was so good playing a tortured husband torn between the way society wants him and how he is feeling on the inside.
Judgment: Bravo, Todd Haynes for creating this very skilful work for us to revel in.
I’ve only made two promises in my life. One was to marry Henry, the other is to stop seeing you. And I’m too weak to keep either.
The next movie that Julianne Moore was nominated for an Oscar, this time for Best Actress for Neil Jordan’s take on the Graham Greene novel, The End of the Affair. Researching this movie, I didn’t know that this was a remake of a 1955 Edward Dmytryk film that I have never seen. I have heard of the movie. It was in the back of mind to see it, because I never had the chance to do it until now. Having watched the movie, I wished that more of the movie then the longing and unrequited love.
As the title suggests there is an affair that ends. Pretty self-explanatory. Who are the two people that are having the affair? A mild-mannered husband, Henry Miles (Stephen Rea) seeks out the advice of his friend and neighbor, Maurice Bendrix (Ralph Fiennes) that his wife, Sarah (Moore) might be having an extramarital; affair. Henry holds a card for a private investigator to track his wife’s nightly activities, but he doesn’t want to know the answer. Maurice offers his services to see who Sarah is seeing.
What Henry doesn’t know is that Maurice and Sarah had a torrid affair during the height of the fighting in WWII. They first met in 1939 during a cocktail party in the Miles’ house. They are equally taken with each other. Maurice takes Sarah to the movie-house to see a movie that was based on one of his novellas. During dinner, Sarah confesses that she is unhappy with her decade long marriage to Henry that equates to a platonic relationship than a passionate one. They begin their affair.
Sarah begins to fall in love with Maurice for being boring like Henry. Maurice is a jealous man who is envious that Henry is married to Sarah that he is not. It’s tears himself up inside. He begins to questions her intentions until she cannot take it anymore.
Years later, the old wounds come back when Maurice visits with the private investigator, Parkis (Ian Hart) to see who has Sarah’s affections like he did when they had their rendezvous. Maurice becomes consumed in a way about the way that Sarah is deceiving everyone in her life. Things are not what they seem when Parkis gathers up his evidence about Sarah’s whereabouts.
The movie on the surface is relatively simple. A love story that could never be because of the circumstances of being in a loveless marriage, being in love with a struggling novelist. She would not have the stability and security that she needed. The movie is not a straight up linear narrative. There is a lot of recollections and revelations that breaks up the narrative, which I quite liked.
The strongest part of the movie was the middle, which I can’t say why because it was spoil it. The middle of the movie was fantastic, especially for Sarah’s character. The beginning of the movie felt disjointed with the affair happening right away. There were no wooing or a build up to the affair. Maurice’s character felt so bland and uninteresting. By the end, I didn’t care for him. Speaking of the end, it was the biggest letdown, because I knew what was coming and if Julianne Moore was nominated for Oscar for this then I would know what it was.
Judgment: If the movie focused more on the love between Maurice and Sarah, I would have liked it better.
You don’t know what I can do! You don’t know what I can do, what I’m gonna do, or what I’m gonna be! I’m good! I have good things and you don’t know about! I’m gonna be something! I am! And don’t fucking tell me I’m not!
— Dirk Diggler
Since Julianne Moore has been wisely picked as the next LAMB Acting School 101, I thought I would revisit some the movies that she has made that made us fall in love with her onscreen. First is the movie that nobody thought would get made because of the subject. Nobody has a made a Hollywood mainstream picture about porn before. Julianne was nominated from an Oscar for her supporting work as well as Burt Reynolds and director Paul Thomas Anderson for his script for Boogie Nights. This movie is still memorable to watch and it is not because of the last shot of the movie. Get your minds out of the gutter.
The movie borrows the life story of legendary porn star John Holmes and his involvement in the Wonderland murders in this movie to a certain point. Recast in the role of John Holmes is 17-year-old high school dropout, Eddie Adams (Mark Wahlberg), a down on his luck young man who is blessed with a tripod in his pants. He works for Maurice TT Rodriguez (Luis Guzmán) at his club, Hot Traxx as a bus boy.
Major porn director Jack Horner (Reynolds) spots Eddie and wants to put him in his upcoming movie that he is shooting soon. He considers the offer. Looking upon the coiled snake in his briefs, Eddie thinks that is his ticket out of his humdrum life in Torrance with his ice queen of a mother, (Johanna Gleason). Jack decides to thrown in a ringer with the willing mouth of Rollergirl (Heather Graham), which prompts him to further audition with Rollergirl in home he shares with motherly Amber Waves (Moore).
Decided to go under the tutelage of Horner, Eddie meets some of his co-workers like the man who tries to be hip, but fails miserably, Buck Swope (Don Cheadle), the black superstar, Becky Barnett (Nicole Ari Parker), the everyman, Reed Rothchild (John C. Reilly), Little Bill (William H. Macy) who has to keep tabs on his cheating wife (Nina Hartley), the cameraman Kurt Longjohn (Ricky Jay) and the sound guy that develops a crush on Eddie, Scotty J (Philip Seymour Hoffman).
The producer of Jack’s films, The Colonel (Robert Ridgely) asks Eddie to change his name into something that he is comfortable with. He decides on his name from a dream that he had, Dirk Diggler. On his first day on set, he is natural having sex in front of a room full of people with Amber. Dirk quickly becomes the number one male porn star in the business with the fancy clothes, polished cars and the awards. As is customary with stardom, what goes up must come down. This is all about Dirk’s tumultuous journey in the industry.
The movie is playful with the bad porn dialogue the actors have to recite, but there is also some touching moments Rollergirl gets called out in during the exam, Amber trying to talk to her son or Dirk’s downward spiral were devastating to me.
I loved the performances from Mark Wahlberg’s first leading role in a film was beyond what I expected from a former pants-dropping rapper, Burt Reynolds was calm, cool and collected and of course, Julianne Moore looked like she was in 1970s with her fiery red hair, freckles on her porcelain skin and her demeanor as Amber Waves. It was her laid back presence that give her notice during the 1998 award show season.
Judgment: This is the best movie about the porn industry ever created.
Renounced fashion designer that revitalized the Gucci brand name, Tom Ford is parlaying his expertise to the big screen with his feature film debut, A Single Man based on the novel of same name by Christopher Ishwerwood. I have been looking forward for this movie when the film received glowing reviews when it was screened at the Toronto Film Festival. The Weinstein Company picked it up and I eagerly anticipated this movie for when it came out. I went to the first matinee screening today. This movie is a sight to behold that will connect with anybody that has ever lost love.
Colin Firth gives a masterfully understated performance as George Falconer, an aging English professor that is contemplating suicide. He lives a solitary existence when his partner of sixteen years, Jim (Matthew Goode) suddenly died of car crash eight months earlier. Without the love of his life there with him, George’s life is filled with uncomfortable silences.
Friday, November 30, 1962 is the day that we focus on. George wakes up to put on his perfectly tailored suit to create the façade of a normal man in society. It is like his suit of armor. He longingly stares out in space at the moments of his former life with Jim that comes in flashbacks. The thought of death in his mind lingers as he looks at his neighbors, the Strucks (Teddy Sears, Ginnifer Goodwin, Ryan Simpkins, Paul Butler, Aaron Sanders) living the “American dream.”
George’s childhood friend/next-door neighbor from London, Charley (Julianne Moore) constantly bothers him with her ringing him before he goes to work. She is drunk, which is typical for her. As George goes about his day, he starts to get his affairs in order when he does the deed later on that night.
In his class, he speaks to his students about fear. The setting takes places during the Cuban Missile Crisis where some Americans like George’s colleague, Grant (Lee Pace) fears the Russians are coming. He makes a case that fear is everywhere. Being a gay man in the 60s, you have be discreet. Be careful about being found out.
After class, one of his wide-eyed students approaches George, Kenny (Nicholas Hoult) with his fuzzy white sweater and his deep blue eyes. He asks his professor about how he taught the lesson. George is little annoyed the probing questions that Kenny is asking.
George’s ultimate goal is to have his affairs in order. That everyone in his life is cared for before he dies.
First of all, this movie is simply gorgeous with the stylized hues of the blacks and whites. The film felt authentic with the drab colors saturating the screen. The costumes were spectacular and it makes you wonder how Charley would fix herself flawlessly when she is half in the bag. The biggest highlight of the film is the score by Abel Korzeniowski. The way the music swells and interweaves in and out of the scenes were so good.
Some people would be put off by the overt homosexuality displayed in the movie. You should know what you are getting before putting your ten dollars down. I heard about bunch of heavy sighs with the long bouts of silence. It’s supposed to make you uncomfortable, to make you feel like George who no longer wants to exist in the world.
I did have a problem with the extreme close-ups of lips, eyes, hair, or flowers. I understand that when someone is on the brink that they would see the world in different way, but it was a little bit of overkill. Nicholas Hoult’s performance was a bit annoying. Researching this movie, he was cast a couple of days before the movie was supposed to start. It shows. I thought that he was wooden. I loved him in About a Boy, but this was not his best work.
Judgment: This movie will give you an eye-gasm. It’s so beautiful.
Stephen Jay Schneider chose this movie as one of the “1001 Movies You Must See Before You Die.” He compiled a massive list from the classic to the obscure for his anthology. The most worthy movies are chosen to be on this list. Every year, there is a revision to include the most essential movies to be on the minds of film buffs everywhere.
I was disheartened that Magnolia was chosen as one of the movies that the 1001 Movie Club has to review. I have seen this movie after it made a big splash at the Oscars in 2000. When I saw the film, I did not have the best things to say about the movie. I have chosen not to see the movie again; I am basing this review on memory.
Director Paul Thomas Anderson interweaves almost a dozen tiny stories that seems to not to mesh that somehow thinly interconnects. The narrator Ricky Jay shows the random ironic coincidences of life. One story revolves around a hapless police officer, Jim Kurning (John C. Reilly) is called to the scene of a dead body being discovered in the closet of a woman, Marcie (Cleo King). As the night progresses, other officers that arrive to the scene are ignoring his assessments about what happens.
The anchor of the story is about a television producer, Earl Partridge (Jason Robards) on his deathbed. He is succumbing to late stage cancer, and is cared for by his male nurse, Phil (Philip Seymour Hoffman). Earl asks Phil to find his estranged son, Frank, because his much younger wife, Linda (Julianne Moore) is trying to get enough morphine to euthanize him.
Mackey (Tom Cruise) is self-help “guru” with a foul mouth that teaches man about manipulating women into having sex with them. His plan, “Seduce and Destroy” have men going in droves to listen to his polemics about gullible and dealing with the power of cock. After his seminar, a sly reporter, Gwenovier (April Grace) interviews Mackey about his bullshit rhetoric until she fins a chink in his armor.
A former game show wiz kid, Donnie Smith (William H. Macy) tries to get his life back into order to his former glory. The game show storyline also incorporates a former game show host of “What Do Kids Know?” Jimmy Gator (Philip Baker Hall) that recently finds out that he has cancer. He seeks out to reconnect with his cokehead daughter, Claudia (Melora Walters) to tell her. In addition, there is a stage father, Rick (Michael Bowen) that pushes his son, Stanley (Jeremy Blackman) to win the prize money to help out with his acting career.
I thought that the stories were somewhat interesting, but not so much that I could be invested in most of them. The only part of the movie that marginally liked was the Earl Partridge storyline. I thought that it was very poignant. The ending was huge WTF for me. Really? Really! Tom Cruise got the most acclaim for this movie, because he was a leading man taking a supporting role in an ensemble movie. His personal segment was not that intriguing, but when he shows up in another one. That was great.
1001 Movie Club Approved
Judgment: Why do I feel like a Crash all over again?
Goddamn you Walter! You fuckin’ asshole! Everything’s a fuckin’ travesty with you, man! And what was all that shit about Vietnam? What the FUCK, has anything got to do with Vietnam? What the fuck are you talking about?
— The Dude
The #158 Movie of All Time on IMDb: The Big Lebowski has been a divisive film since its release in 1998. Some people have since it and dismissed as garbage, upon a second viewing they loved it. This is the first time that I have seen it. I am tittering between it being pure genius and pretentious bullshit.
The unemployed bum simply known as “The Dude” (Jeff Bridges) becomes the anti-hero of this story. Being mistaken for a millionaire that share his real name Jeff Lebowski (David Huddleston), a pair of thugs rough him up. During the encounter, one of the thugs pees on his “prized” rug.
The Dude seeks out the other Lebowski to get him to pay for the rug. This action leads to chain of events that spiral out of control. Lebowski and his manservant, Brandt (Philip Seymour Hoffman) want to get Lebowski’s young wife, Bunny (Tara Reid) back who has been kidnapped.
The Dude is mixed up with a trio of nihilists (Peter Stormare, Flea, Torsten Voges), a pornographer, Jackie Treehorn (Ben Gazzara), Lebowski’s feminist daughter, Maude (Julianne Moore) who all want something from him. There is also his bowling buddies, Walter (John Goodman) and Donny (Steve Buscemi) that want to occupy his time.
This movie is a mind fuck. You wonder when the ending credits start; did the Coens take LSD when they conceived of the movie? In the beginning, the characters carried on some inane conversations that go around in circles. It infuriated me. “We get it! Move on.”
The sequences go from dark to slapstick to tripped out. I had no idea what I was watching. I tried to make some sense out of it. I concluded with this.
At the core of this movie, you have to understand that every character is living in their own universe. They are self-absorbed, needy, and selfish. The only way the monotonous conversations make any sense is that nobody is listening to each other. Perhaps for a split second before they launch into their polemics about urine soaked rugs, mistaken identity and bowling etiquette.
My mind needs time to digest what I seen.
Judgment: This movie should be watched more than once to understand it fully.
Rating: ***1/2 (with wiggle room)