Category Archives: Animated
I almost wanted to not review this movie, but I thought since I haven’t seen a movie in a long time. I thought that I would suck it up. I went to see Alpha and Omega with my niece. I barely knew anything about this movie. Looking at the trailer, it is the same story in a different configuration. Her choices were limited to this or Secretariat. Slim pickings. Help me get through this review without a narcoleptic episode.
The story is basically about a two wolf packs in Jasper National Park in Canada. It’s like a Romeo and Juliet for the animal kingdom with the awkward Omega wolf, Humphrey (Justin Long) is hopelessly in love with the Alpha wolf of the pack, Kate (Hayden Panettiere). She sees him as a friend only. Her life goal is to lead the pack like her father. Having a fun is foreign concept for her. Besides, Alphas and Omegas are forbidden to be together.
The fathers of the Western and Eastern packs, Winston (Danny Glover) and Tony (Dennis Hopper) are trying to arrange the marriage of Kate and groomed Alpha wolf, Garth (Chris Carmack) together so the packs won’t starve for food.
During a moonlight howl, Kate realizes that Garth is a little defective. Getting his chance to strike, Humphrey tries to tell Kate about his feelings when they are both tranquilized by rival park rangers and shipped to a national park in Idaho. They are befriended by a golf playing French/Canadian goose named Marcel (Larry Miller) and his caddy, a duck named Paddy (Eric Price). They show them the way to get back to Jasper before war breaks out between the wolf packs.
I know that I wasn’t going to love this movie. It was made for little kids. I was bored to no end with this flick. The story is cookie cutter storytelling. Everybody knew what was going to happen. Yawn! The animation overall was poorly done. It felt like it was on the shelf for years before it was released like Delgo. Anyone remember that movie? If you do, I’m sorry. The fur on the wolves looked like the material on a stuffed animal. It was like stuffed animals walking and talking. That took me out. I’m glad it was under eighty minutes. It was like watching paint dry. My body felt like an elephant sat on me. Sitting through this movie was excruciating pain for me.
Judgment: It was a cute film with elementary school type humor. That’s all.
You just gestured to all of me.
Currently the #175th movie of All Time on IMDb, How to Train Your Dragon has been on the hearts and minds of the people that have seen it a couple of months ago. I was not interested in seeing the movie, because of the crappy trailer for it. People were gushing over this movie saying that it was the best thing that’s happened in that dead part at the beginning of the year. I’m glad that I saw this movie. It’s not most original storyline ever, but I enjoyed the ride on Toothless’s back.
A scrawny Viking boy unfortunately named Hiccup (Jay Baruchel) is trying to be a typical Viking that kills dragons that have been terrorizing their village for centuries like his father, Stoick (Gerard Butler). Life dealt him a bad hand that he is a bumbling kid that could only make little contraptions in the back of Gobber’s (Craig Ferguson) blacksmith shop where he works as an apprentice.
During one dragon fight, Hiccup wants to help his fellow Vikings out by using one of his inventions; a bolas-shooting cannon that could take down the elusive Night Fury dragon. Hiccup sees a figure out in the distance and fires his cannon. He believes that he caught something that fell in the middle of forest outside of the village.
Stoick is tired of fighting the dragons for their basic way of life. He decides to go out in search of the dragon’s nest to have one final decisive battle. While he is away, asks Gobber to stay behind to teach the new generation of dragon killers, including Hiccup.
At the mean time, Hiccup tries to search for the dragon he might have captured in the forest. He does find it, which turns out to be the Night Fury of legend. He has the perfect opportunity to slay the beast. But looking into the eyes of this creature could not allow him to strike to the fatal blow. Hiccup decides to release the dragon instead, who tries to fly away, but is injured enough to not take flight.
Hiccup wants to help out the dragon he named Toothless while he is in the middle of his dragon slaying classes with the know-it-all Fishlegs (Christopher Mintz-Plasse), the fragile Snotlout (Jonah Hill), the warring fraternal twin Ruffnut (Kristen Wiig), Tuffnut (T.J. Miller) and Hiccup’s crush, Astrid (America Ferrera). Hiccup struggles being a “dragon whisperer” and being a dragon killer that his father wants him to become.
The praise was well-deserved to a certain extent. I’m not gonna be Armond White or anything, but the story has been done countless times with the protagonist has to choose between duty and an unconventional friendship. I’m not saying that it’s a bad thing, but I liked the movie tried to interpret the author, Cressida Cowell’s words into something slightly unique. The one thing I thought was too convenient is something traumatic happens to Hiccup that made him relate to Toothless more kinda turned me off.
Judgment: Damn it. I wish I saw this movie in 3D. It would have been epic.
So long… partner.
Currently the #6 Film of All-Time on IMDb, Toy Story 3 is the inevitable conclusion of the series Pixar created over fifteen years ago. It finally goes full circle as we get to know how these characters that we grew up with will do once they are not needed anymore. This latest offering redeems everything bad that I have said about Pixar as of long, a coherent story with memorable characters that is not trying to be overly ambitious.
After years of being holed up in the toy box, the toys try to find ways of getting Andy’s (John Morris) attention. Now that he is seventeen, the dreaded time has come when Andy is going to give them up. He leaves for college in a couple of days. He has to decide whether who will come with him, go to the attic, donate or be thrown away. Half of the toys has already been given away over the years except for Woody (Tom Hanks), Buzz Lightyear (Tim Allen), Hamm, (John Ratzenberger), Jessie (Joan Cusack), Bull’s-Eye, Rex (Wallace Shawn), Slinky Dog (Blake Clark), Mr. and Mrs. Potato Head (Don Rickles, Estelle Harris) and Molly’s Barbie (Jodi Benson).
While Andy decided to bring Woody to college with him and leave the other toys for the attic. Andy carelessly put the others in a garbage bag which makes Andy’s mom (Laurie Metcalf) think that they are garbage. Woody tries to save them before getting tossed into the garbage where the break out to go to the donate box.
Andy’s mom drops the toys off at a daycare center called Sunny Side. When the toys first get there, they thought it was a fantastical place where they would be played with everyday. This was the Butterfly Room with the pre-schoolers. After the pre-schoolers leave the leader of the Butterfly Room, Lotso the Bear (Ned Beatty) welcomes the newcomers with the help of Ken (Michael Keaton) as a tour guide.
Lotso and Ken show Andy toys around the place and lead them into the Caterpillar Room which is for the toddlers that are not as gentle with the toys like the Butterfly Room. Woody wants the gang to stay together with Andy or in the attic. The others want to stay at the daycare center. Woody wants to stay with Andy. Woody leaves and is picked up by a little girl named Bonnie (Emily Hahn). At Bonnie’s house, Woody hears that the other toys are in trouble and Woody has to decide whether to go back to Andy’s house or save the toys.
This movie explained better the themes that were introduced in the second movies with the inevitably of every toy that they will not be needed anymore. Their owners grow up. They have different priorities and playing with a toy is not one of them. If my toys could talk, they would have the same conversation the toys had in this movie. This movie ultimately shows up that when somebody grows up. No matter how big they are. There will always be an inner child poking out of them.
The ending of the movie was heartbreaking, heart affirming, poignant and brilliant. Being leery of this installment, I would say that this is a perfect ending for this series.
Judgment: Bravo and thank you, Pixar.
How long will it last, Woody? Do you really think Andy is going to take you to college, or on his honeymoon? Andy’s growing up, and there’s nothing you can do about it. It’s your choice, Woody. You can go back, or you can stay with us and last forever. You’ll be adored by children for generations.
— Stinky Pete the Prospector
Before I watch the latest offering from Pixar, I wanted to refresh my memory with viewing the #243 film of All Time on IMDB, Toy Story 2 again. I did not see the double feature 3D extravaganza late last year. I thought what is the point. Since I have been weary about Pixar movies, I wanted to see if this movie stacks up on its own. My answer would be “no.”
I am not saying tat Toy Story 2 is bad movie it feels like Pixar was fulfilling an obligation – and it was – for Disney to put this movie out. This movie was taking place right after the first one with Andy (John Morris) going to Cowboy Camp with Woody (Tom Hanks). It is there only one-on-one time together until Woody’s arm is ripped when Andy was roughhousing with his toys. His mother (Laurie Metcalf) shelves Woody. Andy couldn’t take Woody with him.
After the Andy leaves, Andy’s mother has a yard sale and decides to sell some of Andy’s old things, which includes Wheezy (John Ranft), a penguin that was collecting dust because its squeaker is broken. Woody tries to save Wheezy from being sold by riding on the back of the family dog, Buster. The rescue mission hits a snag when Woody falls off. He is picked up by a slimy toy collector named Al McWhiggen (Wayne Knight) who is familiar to the toys by dressing up as a chicken for his Al’s Toy Barn commercials.
Al almost spontaneously combusts when he sees the doll. He wants to buy the doll, but Andy’s mother continually says that the toy is not for sale. When her back is the turned, the slimy snake brazenly snatches Woody. The other toys see this happen. They try to piece together who took Woody and where Woody is held. As is customary, Buzz Lightyear (Tim Allen), Mr. Potato Head (Don Rickles), Hamm (John Ratzenberger), Rex (Wallace Shawn) and Slinky Dog (Jim Varney) go on a mission to rescue Woody from Al.
Woody wonders where Al took it. Woody is place in a display case with Jessie the Yodeling Cowgirl (Joan Cusack), the horse that acts like a dog, Bull’s-Eye, and Stinky Pete the Prospector (Kelsey Grammar) that is mint condition. They are joyous because with the addition of Woody they could be on display at a museum in Tokyo instead of locked up in storage unit. They let Woody know about the television Woody starred in and the numerous products that was in a shrine in Al’s office. Woody learns about the impact on the youth. Jessie wants Woody to leave Andy behind and come to Japan. Woody wants to stay and be Andy’s toy. That is the dilemma Woody has to go through.
You could see the improvements of the animation from the movie to this one. It’s apparent with the humans, the dog, creating individual space rocks in the environment. I thought the story was lacking a little bit. I understand what the screenwriters were trying to say about the inevitability of kid growing up and the toys will be forgotten. Woody’s journey felt a little cheap. I don’t believe that this movie was better than the first one. The introduction of Jessie and Stinky Pete bothered me to know end. I didn’t think that Joan Cusack or Kelsey Grammar were the right people to voice these characters. Cusack came off brash and not the loving sidekick or Stinky Pete who is very country and have Frasier doing his voice. It doesn’t quite work.
Judgment: It was nice to revisit the characters again, but the not the best in terms of story.
You are NOT my mother.
— Coraline Jones
Coraline was on my radar to see since it was released in February of 2009. People were talking about how wonderful this adaptation of Neil Gaiman’s book was. It was my intention to see it, but never got around to it. When it was nominated for Best Animated Feature at the Oscars, it was on the fast track of my viewing schedule. I’m glad that I saw it. I wish I saw it in 3D.
Director Henry Selick of The Nightmare before Christmas fame forgoes the staple of computer animation to the painstakingly slow process of stop motion animation. This movie is like a twisted version of Alice in Wonderland where a family moves from Michigan into the Pink Palace apartments, which is a Victorian house in the middle of nowhere.
A precocious little girl named Coraline Jones (Dakota Fanning) is trying to fight for the attention of her parents, Mel and Charlie (Teri Hatcher, John Hodgman) who are too busy finishing up the work on a gardening catalogue. Coraline explores the surroundings and meets up with a peculiar kid named Wybie (Robert Bailey Jr.) who may or may not be a stalker. There is also a feral cat (Keith David) that is following her as well.
Feeling bored, Coraline looks through the house finds a small door hidden behind a covering of wallpaper in the living room. She wants to know what is behind the door. When the door is opened by her mother, it is bricked up.
That night, Coraline is awakened by a jumping mouse that leads her to the very same door that opens up to a parallel universe where everything is the complete opposite. Her “other mother” cooks her favorite meals and the other father is very attentive and could play the piano. The trouble is that they have black buttons for eyes in this other world. She starts to warm up to this world.
She wakes up back to her normal life. She befriends the other inhabitants on the other apartments like the Russian circus performer, The Amazing Bobinsky (Ian McShane) who tells Coraline not to go into the little door again. His own jumping mice told him so. The old vaudeville duo, April and Miriam (Jennifer Saunders, Dawn French) have her over for tea. Reading her tea leaves, they also warn her that she is in great danger.
She ignores their incessant warnings and travels to the other world again, because she is so unhappy with her mundane existence. Her other mother makes a proposition for her. Since she loves this other life so much, she should stay. The catch is that sews has to sew the black buttons on her eyes. She is resistant about it, but the other mother is not happy with it and she becomes less than motherly.
It is so freaky that this movie was made in stop motion. It was a mice change of pace for the typical kid friendly movie. The story was not groundbreaking, but enjoyable nonetheless. It was a good time spent.
Judgment: It makes me wonder what Henry Selick will do next.
What chance does a toy like me have against a Buzz Lightyear action figure?
In my opinion, Pixar’s latest movies have left me high and dry with brilliant concepts that are poorly executed. I thought that I might revisit the film that put the company on the map; the first feature-length computer animated movie, Toy Story. Never gone out to the see this and the sequel in 3D a couple of months ago, I wanted to see how they started. This movie was nominated for three Academy Awards in 1995 and it is the #159 movie of All Time on IMDb. This movie continues to hit home with the message of friendship, even though they are toys.
During a birthday party for Andy (John Morris), the other toys like Hamm (John Ratzenberger), Mr. Potato Head (Don Rickles), Slinky Dog (Jim Varney), Rex (Wallace Shawn), Little Bo Peep (Annie Potts) in his room wanted to know if there is anything new coming into the house, particularly the alpha toy, Woody (Tom Hanks) that is worried of getting replaced.
A team of plastic green army men headed by the Sergeant (R. Lee Ermey) goes with a baby monitor to scope out the gift that Andy has gotten. Everything seems to be fine, when there is a surprise present by Andy’s mother (Laurie Metcalf). It turns out to be Buzz Lightyear (Tim Allen) who thinks that it is actually a space ranger on a space mission instead of a mass produced product.
Andy and the other toys really like Buzz. Woody feels left out of being the favorite toy of Andy’s. Woody becomes more jealous during the next couple of days before the family moves into another house.
Hearing noises outside of Andy’s window, the other toys tell Buzz about the kid next door, Sid (Erik von Detten), has an infamous reputation for blowing up toys. Two days before the family leaves, Woody overhears the mother tell Andy to bring one toy on their final dinner together to Pizza Planet. He finds it the opportunity to get rid of Buzz by forcing him out of the house. He does, but the other toys think that he murder Buzz. The toys plan to execute him.
Woody tries to find a way to get Buzz back and get back in the good grace of the other toys.
I thought I remember this movie. Watching it again, I believed I saw bits and pieces of it instead of the entire thing. I could not believe that this movie is fifteen years old. The most of the animation still holds up after fifteen years. There is still blockiness with the Scud, Sid’s dog and Sid’s brace face, but I let that slide because the movie was innovative at the time.
Judgment: It’s a good movie to revisit before Toy Story 3 comes out.
Logorama was recently nominated for an Oscar this year for Best Animated Short Film. I heard about this movie from article on the Cinematical website. They were saying that it was a must-see, that it was brilliant, I decided to see it. I have to say that the movie is very good watch.
The movie takes place entirely in a stylized town where the buildings, vehicles and landscapes in made of corporate logos. This movie anthropomorphize mascots like the Michelin men into foul-mouthed cops who are chasing after a bad guy that turns out to be Ronald McDonald. Caught in the middle of the action are Bob’s Big Boy and an Esso waitress. There is a stand off between the two factions when a natural disaster happens to put a wrench into each side’s plans.
I was surprised to learn that the creators François Alaux, Herve de Crecy, Ludovic Houplain used over 2,500 logos in the movie. Incorporating the numerous in different ways was very creative and inventive. How could they create this movie without being up in their eyeballs in lawsuits for copyright infringement? I believe that the filmmakers people aware the humans are obsessed with labels, name brands that it has infiltrated our lives like a virus.
You have to watch to see cartoon junk and ass, Mr. Clean as a lispy tour guide, the Pringles guys tries to hit on a girl and interesting way using the X-box, Pepsi, NASA, and Milky Way logos.
Judgment: You could check the movie on YouTube by searching for the title. It’s under fifteen minutes. It’s well worth your time.
Wes Anderson’s foray into animation culminated with the Fantastic Mr. Fox, based on the classic book by Roald Dahl. I was hesitant watching this movie from the trailer for it. I was iffy on the animation. This movie came out around Thanksgiving. By Christmas, it was out of theaters. I found the movie at the cheap theater right near me.
Mr. Fox (George Clooney) is a seasoned thief when it comes to swiping squabs, but in one particular caper, his wife (Meryl Streep) accompanies him to steal chickens for dinner. They are snared in a fox trap and Mrs. Fox announces that she’s pregnant. She wants him to promise if they make it out alive that he would have another profession.
Two years later, he does get out of the profession. He settles down, has a safe job as a columnist He tries to provide a normal life for his oddball son, Ash (Jason Schwartzman). Mr. Fox feels poor that he is living in a hole. He wants to live above ground in the fresh air. Fox’s real estate attorney, Badger (Bill Murray) advices Mr. Fox not to move the family to the new tree, because they cannot afford the tree on his salary.
Ignoring Badger’s advice Mr. Fox moves the family to the glorious tree that overlooks a trio of compounds out in the distance. A family cousin, Kristofferson (Eric Anderson) visits the family after his father has fallen ill with double pneumonia. The lanky fox that does yoga and has a certain lilt to his voice threaten Ash.
When Kristofferson settles in, Mr. Fox is getting that itch to pull off one last job. He enlists the help of his possum super, Kiley (Wally Wolodarsky) to be his associate as they try to implement “Mr. Fox’s Master Plan”.
His three phase plans goes as follows: Phase one: infiltrate Boggis’ (Robin Hurlstone) Chicken House, drug the beagles guarding the property with blueberries laced with sleeping powder, make out with the chicken bounty. Phase two: Bunce’s (Hugo Guinness) Refrigerated Smokehouse, repeat process of phase one.
After their heist, the Fox’s pantry is filled with meat. Mrs. Fox is becoming more suspicious about her husband’s nightly duties. When phrase three in put in place: gaining access to Bean’s Secret Cider Cellar. Kristofferson come along to act as that small Asian guy in Ocean’s Eleven. (The parallels between those movies were not lost on me). There is snag in Fox’s Master Plan when the trio meet a Rat (Willem Dafoe) that has watched West Side Story one too many times, guarding the of bottles. They get into a fight and are almost caught be Bean (Michael Gambon) himself getting into his infinite stash of alcoholic cider.
As the trio outsmarted Rat and get away, the three owners have an emergency meeting about Mr. Fox robbing their stocks. They want to kill him. When they fail to do so, they decided to dig them out. Fearing for their lives, the animals decided to dig deeper into the ground. The farmers want to kill the Fox by any means necessary. This threatens the other inhabitants of the land to band together for one common goal to stop the farmers before they destroy all of their homes.
In my opinion, the crude 70s stop motion capture threw me off a little bit. These lanky stick figure miniatures were distracting. The beginning of the movie got off to a rocky start where the characters were overtly quirky to be quirky. When the whole community bands together, that is when the movie was getting real good and I forgot everything about the weird brisk walking, pooling tears in the eyes for a moment. I had a good time with this movie.
Judgment: This movie might not work for kids, but is perfect for adults.
I was cursed by a dastardly witch doctor. One minute I’m a prince, charming and handsome, cutting the rug, and the next minute – woah!
— Prince Naveen
The Disney Company has gone back to their hand-drawn animation roots with the release of The Princess and the Frog. Deviating from the classic tale, “The Frog Prince”, the movie is set in 1930s New Orleans. This is billed as Disney’s first movie with an African American princess as the lead. The problem is that it’s not… really.
A young woman named Tiana (Anika Noni Rose) works double shifts as a waitress to save enough money to open her own restaurant. It has been a life long dream for hers and her father, James (Terrence Howard) that died years earlier. Her aging mother, Eudora (Oprah Winfrey) wants Tiana to focus on finding a man that could provide her with the life that she always dreamed.
As fate would have it, Prince Naveen of Maldonia (Bruce Campos) visits New Orleans to find a bride quickly. He has been cut off from his wealth, because of her womanizing, philandering ways. Accompanying the inconspicuous Prince Naveen on his journey is his manservant, Lawrence (Peter Bartlett).
When the duo steps off the ship, “The Shadow Man” Dr. Facilier (Keith David), a voodoo doctor that pretends to be a tarot reader, confronts them. He wants to isolate them to grant their greatest wishes, for Naveen it is wealth and fortune that he was stripped and for Lawrence it is a privileged life like Naveen’s. They both decide to have a deal with The Shadow Man where Naveen is turned into a frog.
Tiana’s friend from childhood, Charlotte (Jennifer Cody) commissions her to provide 500 beignets for her masquerade ball that night. With the money from her dad, “Big Daddy” La Bouff (John Goodman), Tiana has enough money to make a payment on a broken down warehouse. The problem is that another bidder made a bid on that property, and she needed the money by the next day or she will lose it.
Distraught about the situation, Tiana spills food on herself. Charlotte quickly whisked Tiana into her room to change. She is dressed as a princess when she wishes on the Northern Star for a solution to her situation. Prince Naveen as the frog shows up to convince Tiana to kiss him to turn him back into a human. She is reluctant at first, but she does kiss him. There has an adverse effect; she is turned into a frog.
The whole movie is an epic journey for Naveen and Tiana to go into the grand bayou to seek out the wisdom of old, blind voodoo queen, Mama Odie (Jenifer Lewis). Along the journey, a trumpeting playing alligator Louis (Michael-Leon Wooley) and the broken down Cajun lightning bug Raymond (Jim Cummings) befriend Naveen and Tiana.
In the African American community, people are debating about the state of class in the movie. The privileged people in the movie were the whites and poor were the blacks. They don’t realize in that at the time, blacks people did not have the same opportunities that whites had. They had to work extra hard to catch up. Even though this is a fairy tale, it doesn’t have to be completely unrealistic in that aspect.
This was supposed to be a return to form for Disney, but I thought there was something about the climax of the movie that bothered me. I thought it was wrapped up too tightly at the end of the movie with all the characters collimating at the Mardi Gras parade at the same time. The love story between Naveen and Tiana felt a little rushed to me. I did not have room to breathe. Besides, that I thought that it was a fun time with the upbeat jazzy numbers the characters.
Judgment: A Disney movie that has a somewhat lackluster story.
If this is some kind of practical joke, it’s not funny, and I know funny. I’m a clownfish.
The last couple of Pixar movies that I have reviewed, I had a lukewarm response to most of them. The creators are trying to have the action more grounded, but they always have to cock it up with putting kiddy stuff in it. Finding Nemo is the last great Pixar movie in my opinion. This #149 Move of All-Time on IMDb won the Academy Award for Best Animated Feature. It was well deserved.
A clownfish, Marlin (Albert Brooks) moves his wife, Coral (Elizabeth Perkins) and their 400 eggs to the Great Barrier Reef off the coast of Australia. When they get there, the community is threatened by a barracuda that takes Coral and almost of all of her 400 eggs, saved one.
Marlin tries everything in his power to protect his son, Nemo, perhaps overprotecting him. It’s understandable. Nemo is eager to go to his first day of school. Marlin is worried that the children are going to make fun of Nemo’s shorter fin, which they call his lucky fin.
His new friends want to explore the open ocean, which is forbidden. When Marlin comes to take Nemo away, Nemo wanted to be on his own. He swims up to a boat near by. Nemo is caught by the swimmers and taken with them.
Frantically searching for Nemo, Marlin bumps into the scatterbrain Dory (Ellen DeGeneres) to tries to take him to where the boat was last seen.
A shark sneaks up to the duo, Bruce (Barry Humphries). He brings the two into a Sharks Anonymous meeting with Anchor (Eric Bana) and Chum (Bruce Spence). Marlin sees a clue to help find Nemo. One of the divers drops his mask with his contact information on it. He needs someone that could read it. That someone is closer then he might think.
Nemo wakes up in a fish tank at a dentist’s office. Nemo meets the creatures that inhabit the tank Bloat (Brad Garrett), Gurgle (Austin Pendleton), Bubbles (Stephen Root), Peach (Alison Janney), Deb (Vicki Lewis), Jacques (Joe Ranft) and Gill (Willem Dafoe). A pelican, Nigel (Geoffrey Rush) pops by the office window to chat about the goings on at the office.
Nemo learns that he is going to be the pet of the dentist’s niece, Darla for her birthday. He has limited time to escape before he is torn away from his father forever.
The look of this movie is absolutely gorgeous. The effects of the water, the sun rays beaming into the water, the vibrant colors of the Great Barrier Reef were fantastic. The textures of the landscape made my jaw drop. I swear, I thought that some scenes were live action. At the end of the movie, I weep like a baby. I hate myself for crying. I’m a sucker to a final reunion. It’s not like I’m spoiling the ending. It’s obvious.
Judgment: If you want to watch the best Pixar movie of the Aughties, watch this .