Before I start my review, I would like to preface this by saying that I missed reviewing movies. As many of you know, I was away at Navy boot camp for a while. I was discharged from it because my eyes were too fucked up to effectively do my job, which was supposed to be an air traffic controller. I was in a place called SEPS, which is out of basic training. The guys there are being transitioned out. Not training, there was A LOT of downtime. I’m glad that had movies to pass the mind numbing boredom. I was there for over a month. I’m glad to be back. I’m missed you guys. Let’s get started. Shall we?
Let’s just say that the picking were slim in SEPS. the first movie I ever saw in SEPS was the Nicolas Cage vehicle, Gone in 60 Seconds. I have seen bits and pieces of the movie over the years. I never had the chance to watch it, because I was stuck there I checked it out. This movie was like The Fast and the Furious, but less fun.
Apparently this movie is a remake of a 1974 movie that I haven’t heard of. I supposed that it had the same basic premise except this version was updated with fast cars and lots of hot women. Whatever. The movie centers around a retired thief, Memphis Raines (Nicolas Cage) is pulled back into the car stealing business when a British crime boss, Raymond Calitri (Christopher Eccleston). Calitri threatens to kill his younger brother, Kip (Giovanni Ribsi) who botched an earlier job. The only way that Memphis could save his brother is to steal fifty cars on a list.
With the clock ticking down, Memphis gathers together his old crew including his mentor, Otto (Robert Duvall) and old love interest, Sway (Angelina Jolie). When the crew starts on the list, this catches the attention of LAPD Detective Roland Castlebeck (Delroy Lindo) who dealt with Raines and his tactics. Castlebeck tries to be one step ahead of Raines with his partner, Detective Drycoff (Timothy Olyphant). Raines tries to steal all the cars in a 24-hour period to try to get the deadline.
I wish that I could pontificate more about this movie, but the movie is a shallow action film that doesn’t satisfy you. I am perfectly fine with the anti-hero. I hate the typical cookie cutter endings to a movie. I was mildly enjoying this film as brainless entertainment, but the ending bothered the hell out of me.
Judgment: It was a cop-out.
You know, you’re half smart, Ocean.
— Willy Bank
Soderbergh and company wanted to conclude the Ocean’s saga with Ocean’s Thirteen. This installment is a return of form with the gang returning to their roots in Las Vegas. I am glad that everyone returned to the slick caper story like the first movie.
During their absences between capers, the gang is reunited when Reuben suffers a cardiac infarction when a deal with an egomaniacal property owner, Willy Bank (Al Pacino) goes south. When one of the Twelve is wronged, a price needs to be paid. Danny pays Willy a visit when he was at the construction of his place, The Bank Casino.
The Bank Casino is an extravagant showplace with no expense spared with its marble floors and golden silverware. Willy wants to win another “Five Diamond” necklace for the best hotel in terms of customer service and overall cleanliness. Willy’s right-hand woman, Abigail (Ellen Barkin) is his eyes and ears to see if anybody would do anything during their soft opening.
Danny and Rusty seek the advice of Roman to find a way to seek revenge on Willy before the official opening of The Bank Casino on July 3rd. After some brainstorming, the team decides to destroy Willy from the inside out. First, they have to get inside of the building by bribing the lead concierge, Debbie (Olga Sosnovska), rig all of the games so the gamblers win, create a seismic event and distract a “Five Diamond” critic (David Paymer).
If they pull off this feat, they could get away with over $500 million dollars and at the same time bankrupt Willy Bank in the process. As their plan goes along, they realized that they bit off more than they can chew. Begrudgingly, they seek the help of Terry Benedict to help them carry out the mission.
First, what was up with Al Pacino’s skin? He was fluorescent orange. He was tanoxeric. It distracted me. I’m glad that they recaptured some of the magic from the first movie. I have a problem with some of the lighting. The shadowy scenes muddled everything. Nothing popped out of the screen. Soderbergh ended the series of a good note.
Judgment: If you want to see a return to form, watch this movie.
Terry, I can’t predict the future. I pay professionals to do that, and even they get it wrong sometimes.
After the massive success of the first movie, Soderburgh and company came back together for Ocean’s Twelve. This setting and story are dramatically different from the glitz and glamour from the first incarnation. Instead of the bright lights of the Las Vegas, the Eleven are focused their attention on Europe. I think that this was a mistake, because it hurt the caper aspect of the story.
When the Eleven successful pilfered Terry Benedict out of his $150 million dollars at the ending of the first movie, (spoiler alert) the beginning show how the gang was doing during the three and a half since the heist. Most of them spent some or all of their $13 million dollars cut.
They get a rude awakening when Benedict tracks them all down wherever they were hiding. He offers them a chance to correct their mistakes by stealing his money. Benedict gives them two weeks to return the money with interest, which is roughly $200 million dollars, or he will kill them.
The gang has a pow-wow to discuss how they could get the money is that short amount of time. They decide to go to Amsterdam to meet up with Matsui (Robbie Coltrane), who gives them an assignment to steal the world’s oldest stock certificate from 1602 worth $2.5 million Euros.
When they do, they realize that a famous cat burglar named “The Night Fox” (Vincent Cassel) got the stock first. Not only that, but the team realizes that The Night Fox made the call to Benedict that ratted them out.
The Night Fox issues a challenge to the Ocean’s Eleven to steal a Coronation Faberge Egg from exhibit in Paris. They want to beat The Night Fox at their own game. Eleven becomes Twelve when they enlist the help of Roman (Eddie Izzard) to help pull off the switch-a-roo.
This movie as a whole is not well executed. The dialogue was not up to par. The scenes dragged on way too long. I was bored to tears. The movie looks grainy. The interaction with the members felt clunky and stagy. There wasn’t the synergy from the first outing. I was disappointed with this movie, especially the last thirty that fell off the tracks.
Judgment: This is one of the instances that the sequel is not better than the original.
You guys are pros. The best. I’m sure you can make it out of the casino. Of course, lest we forget, once you’re out the front door, you’re still in the middle of the fucking desert!
Breaking away from his trademark quirky sensibility, Steven Soderbergh remade the 1960s Rat Pack classic heist film, Ocean’s Eleven. Instead of Frank Sinatra, Dean Martin and Sammie Davis, Jr., the main leads are George Clooney, Brad Pitt and Matt Damon. Quite a departure. Soderbergh has some success with mainstream movies; I think that his subsequent Ocean’s trilogy exposed himself more to the mainstream consciousness.
Re-channeling his Out of Sight persona, George Clooney plays the titular Danny Ocean that is recently paroled after four years. When he is released, he goes to old stomping grounds to reconnect with his former crewmembers, travel across the country to reconnect with the poker teacher to the stars, Rusty (Pitt).
Ocean’s plan is to steal “x” amount dollars from three casinos, the Bellagio, the Mirage and the MGM Grand all of them owned Las Vegas casino owner, Terry Benedict (Andy Garcia). He would need a large crew at least a dozen to pull off the multiple cons needed to pull off the heist.
Seeing that they need a way inside the way, Danny and Rusty pay a visit to a former casino owner that was wronged by Benedict and knows the ins and outs of the security system, Reuben (Elliott Gould). After he is in, the rest of the crew is assembled like Frank (Bernie Mac), two drivers the twins, Virgil and Turk (Casey Affleck, Scott Caan), electronic expert Livingston (Eddie Jemison), explosives Basher Tarr (Don Cheadle), a “grease man” Yen (Shaobo Qin), Saul (Carl Reiner) and last but not least, master of disguise, Linus (Damon).
They have pow-wow to lay out the foundation of this impossible feat. If they succeed, they stand to get 150 million dollars when the casinos are distracted from an upcoming fight between Lennox Lewis and Wladimir Klitschko that same day. In order to let the heist run slowly, they have to lay the groundwork like plant a device on the casino’s closed circuit camera, recreating the vault to practice, the daily routine of their mark.
While relaying the routine of Benedict, Linus thought it would be a good idea to enlist the help of Benedict’s main squeeze, Tess (Julia Roberts) who was also Danny’s ex-wife. Danny’s ulterior motive becomes clear that steals the money is not his only motivation. He wants to get Tess back.
The movie is slick and a little too polished. I had the same problem with this movie as I did with Spike Lee’s Inside Man. I don’t like it when a filmmaker talks down the audience. We don’t need to know every single detail that needed to be explained. When the heist was taking place, I didn’t believe that these people would be able to pull that off. The only person that I liked was Andy Garcia. He has a permanent stoic look on his face that works well with his dickish Terry Benedict.
Judgment: Have a good time with Ocean and the gang in this solid remake.