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Children of Men (2006)

I can’t really remember when I last had any hope, and I certainly can’t remember when anyone else did either. Because really, since women stopped being able to have babies, what’s left to hope for?

— Theodore Faron

I have meant to watch Alfonso Cuarón’s adaptation of P.D. James’s novel, Children of Men. I have heard nothing but good things about this movie. It is now the 189th Film on the IMDb Top 250 Films list. It was nominated for three Oscars including Best Cinematography, Best Film Editing and Best Adapted Screenplay. I wondered at the end of the movie, why the hell didn’t I see this movie sooner?

The movie’s setting takes place in the dystopian world of 2027 London where the world’s population is descending into chaos after the world became infertile. The reason for the phenomenon has not been known until certain events could shed light on the plight of humanity’s survival. There is a countrywide crackdown on illegal immigrants that are brought to refugee camps.

The main person that we fellow is a former activist, Theo Faron (Clive Owen) who is working soul-sucking 9-to-5 job where he was almost killed in a bomb blast getting coffee. The world is in mourning over the death of the youngest person in world who was a little over 18. He skips out on work to visit another former activist friend of his, Jasper (Michael Caine) is a hermit living in the middle of woods growing marijuana in his house.

Jasper tells Theo about “The Human Project” which is a secret government project that could help cure the infertility in women. Theo doesn’t believe a place existed. When Theo world is rocked when he is abducted by Luke (Chiwetel Ejiofor), Patric (Charlie Hunnam) and Ian (Paul Sharma) who are members of the Fishes, which is an underground guerrilla group that is fighting for the rights of the immigrants.

The leader of the group is actually Theo’s ex, Julian (Julianne Moore) who wants Theo to do a big favor for her. She wants Theo to get transit papers for a “fugee girl” that is trying to get out of the chaos of London. Theo is resistant to do it when Julian offers him $5,000 pounds, he reconsiders it. He goes to his cousin, Nigel (Danny Huston) to ask for the papers. All Theo could get is joint transit papers, which means that he has to go with the girl.

Julian brings Theo to the place where the girl, Kee (Clare-Hope Ashitey) is hidden away at with her guardian, Miriam (Pam Ferris). The group, including Luke ride out to a checkpoint to get her on a boat away from the place when the car is attacked by rioters and Julian is shot. Things go from bad to worse when Theo realizes that Kee is pregnant. Now, he knows that stakes and lengths that people would go to get close to Kee and her unborn child.

At first, I didn’t know what to make of this movie because the beginning of movie was fine, but nothing exciting was happening. Then when the revelation of Kee’s pregnancy happened, I was hooked right in. It was a tense=filled ride for that time forward. I wanted characters to be all right. I was afraid when danger would come knocking on their door. I have never been so moved by an ending like I did this one.

The movie felt a lot like The Road is some respects, but this movie had hope and heart it in it. The allegories of the concentration camps, Abu Ghraib, September 11th, the war in Iraq were not lost on me. It reminded me of another movie, Blindness that I didn’t care for that much. This world felt like modern times that it eerily gave us a glimpse into a possible future. After you read this review, go and buy this movie. Watch it, experience it. You will not regret it.

Judgment: I didn’t know how could I recommend this movie highly enough?

Rating: ****1/2

Inception (2010)

What’s the most resilient parasite? An Idea. A single idea from the human mind can build cities. An idea can transform the world and rewrite all the rules. Which is why I have to steal it.

— Dominic Cobb

Inception is one of my most anticipated films of the summer. I was worried that this movie was hyped up too much for me to enjoy fully enjoy it. It is currently the #3 Movie of All Time on IMDb. That scares me, because the same thing happened with The Dark Knight. I did not see the theatrical trailer, read any reviews or look at the promos for this movie. I wanted to go into this movie fresh with no bias whatsoever. All I thought about when I saw this movie was making it a drinking game, hearing the word “dream” uttered.

This mind-bending movie is about how complex the human mind can truly be when an extractor Dominic Cobb (Leonardo DiCaprio) has the ability to go into people minds. He’s sorta like a mental bodyguard that provides security for his clients’ important secrets, but he ultimately steals from them.

He is outsmarted by a shady businessman, Saito (Ken Watanabe) who wants to use Dom and his associates to penetrate the mind of his rival’s son, Robert Fischer (Cillian Murphy). In return for his participation, Saito will reunite Dom with the family that he abandoned when his wife, Mal (Marion Cotillard) kills herself to make it look like he did it.

Dom puts together his team together with his researcher that creates a dossier on their mark, Arthur (Joseph Gordon Levitt), his shifter to trick the subject to be any person in the dream, Eames (Tom Hardy) and the chemist who will inject the team with a special sedative that will allow them to sleep, Yusuf (Dileep Rao).

They need an architect which is essentially a person that could create and keep up the façade of delving into a person’s mind. Dom goes to his former professor; Miles (Michael Caine) to enlist a person that could be as good as him sense his memories about Mal easily distract him. Miles suggests Ariadne (Ellen Page), who is quickly tested about discerning what reality is and what is not.

On an international flight after Fischer’s father, Maurice (Pete Postlethwaite) dies, the team drugs Fischer. When the team goes into Fischer’s mind, they didn’t realize that his mind would be heavily fortified with a projected army that could threaten their mission and their only way to wake up.

What can I say about this movie? I understand that Nolan wanted to make a cinematic version of M.C. Escher painting about how the mind play tricks on you. I thought I was tricked. At first, I didn’t know what the hell was going on. When Ellen Page’s character came in, she was like the audience who is trying to understand this world she knows nothing about. The endless exposition doesn’t help matters when random characters try to tell you about the human psyche. It’s like you are sitting in a long boring lecture in college.

My brain broke with this movie. I could not follow it worth a damn. I wanted to follow along, but I got lost somewhere in the first hour of this 2 ½ hour opus. I tried to focus on Dom’s guilt over his wife’s death. That went away. Next, I tried to focus on the action with seemed like it came out of The Matrix with a tinge of a Lionel Ritchie video thrown in there. Lastly, I tried to hold on to the ending which is ambiguous and up to your personal interpretation. If you know that the ending is coming, it’s not fun.

This film is not fun or cool. If it was something like Primer about a dialogue that went over my head, but was still cool, I would understand. I was yawning in this movie. I lowered my expectations with this movie because of the hype that The Prestige got and I hated that movie. I think this movie tried to be too ambitious. I got nothing out of it.

The whole idea of going into people’s minds sounds good on paper, but onscreen you’re like, “Who gives a fuck about the different levels of the mind.” The whole reasoning behind the inception mission was petty and selfish. I believe Christopher Nolan created this movie for himself to enjoy. It seems that he has to dumb it down for the audience with endless amounts of exposition. It seems arrogant and condescending. I’m insulted by the notion. I expected more.

Judgment: This movie is like a Rubik Cube that never gets solved. Don’t bother trying.

Rating: **

The Prestige (2006)

prestige

Never show anyone. They’ll beg you and they’ll flatter you for the secret, but as soon as you give it up… you’ll be nothing to them.

— Alfred Borden

After seeing the craptacular spectacle that was X-Men Origins: Wolverine, I wanted to see a better Hugh Jackman movie. I thought that I might see The Prestige. This movie came out in 2006 with the double bill of it’s companion piece, The Illusionist with Ed Norton, Paul Giamatti and Jessica Biel.

This movie is currently #82 of the Top 250 of All Time on IMDB. I think that this movie is overrated. I love Christopher Nolan, but this movie is a mess. When you get the twist, the rest of the movie makes no sense. I will discuss the ending in the spoiler section.

Based on the novel of the same name by Christopher Priest, brothers Christopher and Jonathan Nolan tried to make another Memento, but Memento was more clever than this movie. It was contrived to say the least.

It is almost the turn of the 19th century, Robert Angier (Hugh Jackman) and Alfred Borden (Christian Bale) are rival magicians that are trying to upstage each other.

After a freak accident that leads to the death of Robert’s wife, Julia (Piper Perabo), Robert is determined to make Alfred pay from his crime.

The movie mainly focuses on “The Transporting Man” trick with the magician disappearing from one door and appears at another door when an flying object is at play.

Angier’s mentor, Cutter (Michael Caine), the assistant, Olivia (Scarlett Johansson) tell Alfred not to pursue upstaging Borden. It would only lead to disaster. Angier doesn’t want to hear it. His hard-headness leads into bizarre obsessive stalker territory.

Next, Angier is so consumed with his determination to beat Borden that he enlists a mad scientist, Nikola Tesla (David Bowie) and his assistant, Alley (Andy Serkis) to make a device to replicate himself. (This is not a spoiler. It’s revealed at the beginning of the movie.) Even Tesla tells Angier not to go ahead with the trick.

I was bored throughout the movie. It was over two hours long. It felt even longer. The plot is ridiculous and improbable for turn-of-the-century London.

Judgment: Avoid this movie like the plague.

Rating: **

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