Because I bloody well stammer!
— King George VI
Colin Firth is coming into his own as an actor with his nuisanced performance in last year’s A Single Man. He is getting more notice for his latest movie, The King’s Speech. Personally, I thought the movie was going to be a boring movie about British people talking for two hours. It’s a lot more than that. Will it win Best Picture of the year? No. That doesn’t mean that the movie was horrible. It’s a solid movie.
Halfway through this movie, I did not realize that the story was about Queen Elizabeth’s father, King George VI (Firth). It deals with his struggle with a speech impediment that he has dealt with since he was a little boy. The movie starts in 1924 when he had to give a speech to his fellow countrymen. It does not go very well. He is embarrassed about his stuttering.
During the years afterward, Albert, Duke of York, before he was would be king, tried everything under the sun to get rid of his stutter, including smoking and stuffing his mouth with marbles. His wife, Elizabeth (Helena Bonham Carter) goes out to search for the perfect speech therapist to help out her frustrated husband. She thinks that she has found him in Lionel Logue (Geoffrey Rush), an over-the-hill Australian theater actor. She has to go under the pseudonym of Johnson to not distract their royalty status.
The Duke is skeptical about the unorthodox methods of Mr. Logue. Their first session together is a disaster when Lionel tried to be on a level playing field with The Duke. They wanted to be on a first name basis with the Duke calling him, “Lionel” and Lionel calling The Duke his family nickname, “Bertie.” Bertie reluctantly agree to one session with him and is surprised about what he could do. As their sessions go on, Lionel tries to pinpoint the exact cause of his stuttering.
I don’t know what it is, but I think I have a bias of British movies. Is it because it deals with the monarchy that I have no knowledge of? Is is the accents? The stuffy attire? Who knows? There were some bring points with the movie. Colin Firth is brining his A game here. I have never seen a photo of King George VI and I have no idea what he sounded like during his speech, but I felt fine that he exposed a flaw in the perfect monarchy. Geoffrey Rush’s quirky performance was the standout for me. I thought Helena Bonham Carter was nice, but her character didn’t have much gravitas. She was the doting wife and that’s it. Lastly, it was hilarious to me that Guy Pearce would be playing Firth’s older brother, David.
Judgment: It’s a solid movie about a part of history that we never knew. It tells the story of the unsung hero, Lionel Logue.
I will have poetry in my life. And adventure. And love. Love above all. No… not the artful postures of love, not playful and poetical games of love for the amusement of an evening, but love that… over-throws life. Unbiddable, ungovernable – like a riot in the heart, and nothing to be done, come ruin or rapture. Love – like there has never been in a play.
— Viola de Lesseps
During my senior year, my high school put on a disastrous modernized retelling on Romeo and Juliet. Around the same time, Shakespeare in Love just opened in theaters and it was an assignment to watch the movie for some extra credit. At first, I didn’t know that it was supposed to be a comedy. That aspect of the film went completely over my head. When I owned the movie on video, I paid attention to the comedy and I loved it. I still do.
This movie fictionally retells the life of William Shakespeare (Joseph Fiennes) when he was exiled from his former life circa 1593. Times in his new home, London, are not faring so well. The plague rages across the land. Any public forums are closed including the theaters, which is not good for writers like Will or actors or the theater owners like Mr. Henslowe (Geoffrey Rush).
Henslowe owes a lot of money to Mr. Fennyman (Tom Wilkinson), who is like an investor for new plays in England. Will has to take small acting jobs when he can and other professional actors have to travel to other lands to perform.
Henslowe wants Will to write a new play that could be successful to pay off his debts. There is a problem. Will has no inspirations, no muse to let the words flow. He thought he had a muse with a loose woman, Rosaline (Sandra Reinton), but not.
With the advice of the country’s number playwright at time, Christopher Marlowe (Rupert Everett) plants the idea of Romeo and Juliet to Will. Henslowe has auditions for the men who will plays all the parts. At the time, women were not allowed by law to be on the stage.
One privileged woman, Viola de Lesseps (Gwyneth Paltrow) dreamed about being an actor. She is helped by her nurse (Imelda Staunton) to masquerade as a man, Thomas Kent, to audition to be in William Shakespeare’s new play. Will is taken by Thomas Kent that he wants him as his Romeo.
Their love blossoms at a chance encounter at a party at the de Lessep’s, but there is a wrench in the plan with Lord Wessex (Colin Firth) attends to make Viola his bride and bring her to the New World. Having only two weeks together, Viola and William begin a forbidden love affair that mirror the greatest love story ever told.
This is a love letter to the works of Shakespeare. I thought that it was ironic that at the time Marlowe was a bigger “celebrity” that he was. Shakespeare’s works are still revived today, but Marlowe is almost lost in time. The intertwining of our modern day catch phrase and the Elizabethan language is more hilarious every time I see it.
This movie was controversial when it won Best Picture over Saving Private Ryan. Should it have won? In some ways, yes. The problem with Ryan is that there are too many endings. Spielberg tacked on a happy ending that doesn’t need to be there. To me, Shakespeare in Love was more heart wrenching and sweeping that Ryan. That’s just my opinion.
Judgment: Revisit this movie if you haven’t seen this movie since it won the Oscar.
For Christ’s sake, I don’t have a weak heart. All right? This is not an affair. It’s a one-night stand that happened twice.— Leon Zat
I was going to review Kingdom of Heaven yesterday, but I was bored to tears with the film. I decided not to waste my time lambasting it. I thought that I would recommend a movie that I caught a glimpse of Saturday afternoon on IFC, Lantana.
It has been a long time since I saw this Ray Lawrence second directorial effort. This is adapted by Andrew Bovell’s own play, “Speaking In Tongues.” It was renamed “lantana” for a couple of reasons that I will not spoil here.
It’s about the intertwining relationships between all of the main characters. It’s toxicity. The way it corrodes peoples souls.
The movie opens with Detective Leon Zat (Anthony LaPaglia) is in the throes of lovemaking with Jane O’May (Rachael Blake) in a hotel room. The thing is that they are both married.
Leon’s wife, Sonja (Kerry Armstrong) suspects that he is cheating, but she does not confront him. She seeks the advice of Dr. Valerie Somers (Barbara Hershey).
Valerie also suspects her husband, John (Geoffrey Rush) of cheating on her.
The central mystery of the movie is, who was the woman’s body that was discovered at the beginning of the movie? What were the circumstances that lead to her demise?
All of this is revealed is slight plot twists that leads the characters to their revelations.
Judgment: An enthralling character piece that deserves to be looked at.