Annie Hall (1977)
Don’t you see the rest of the country looks upon New York like we’re left-wing, communist, Jewish, homosexual pornographers? I think of us that way sometimes and I live here.
— Alvy Singer
I was psyched Woody Allen’s movie, Annie Hall was coming IFC that I set a reminder to watch it. Being familiar with Allen’s movies, I would have expected some random dialogue and meandering situations. That’s correct for the most part, but this film is so much more. This #132 Movie of All-Time on IMDb was nominated for five Oscars and it won four including Best Picture, Best Director, Best Actress, and Best Original Screenplay.
This movie is about a pessimistic comic, Alvy Singer (Allen) recounting the relationship he had between himself and an aspiring singer, Annie Hall (Diane Keaton). Alvy’s problem is that his paranoid man that has delusions of grandeur. He treats the people around him like shit, because he is the only sane person, even though he has been seeing an analyst for most of his life.
Alvy and Annie meet when Alvy’s actor friend from Hollywood, Rob (Tony Roberts) introduces them during a spirited match of tennis. They bond over their eccentricities, the mundane of life and seeing analysts.
Whenever there is a conflict with Annie or their families, Alvy turns to the camera to offer his commentary about the situations. He deconstructs every flaw about a person and blows it out of proposition.
As they go deeper into their relationship, Annie feels that Alvy tries to mold her into something that she is not like forcing adult education courses upon her, taking her to an obscure foreign language movie or the condescending tone in his voice whenever they are waxing philosophic.
The relationship starts to wane that they are not having sex. They are going into a funk and they have to decide if they should stay together or break apart.
This movie was charming from start to finish. I love it when Alvy and Annie were having drinks on the roof of her building. They pontificate about some random topic and a bunch of subtitles pop showing the audience what they are really thinking. It reminded me of a particular scene in (500) Days of Summer.
The only flaw about the movie was the sequences in Los Angeles. It rang false to me. It was like a stereotypical take on Los Angeles that you have seen repeatedly. The hippies eating alfalfa spouts and drinking wheat grass or whatever.
Judgment: This is a great ode to relationships.
Posted on January 1, 2010, in 1977, Academy Award Winner, Best Actress, Best Director, Best Original Screenplay, Best Picture, Comedy, Drama, Romantic, Running Feature, Top 250 of All Time on IMDB and tagged Annie Hall, Carol Kane, Christopher Walken, Colleen Dewhurst, Diane Keaton, Donald Symington, Helen Ludlam, Joan Neuman, Mordecai Lawner, Paul Simon, Shelley Duvall, Tony Roberts, Woody Allen. Bookmark the permalink. 3 Comments.