1001 Movie Club: Marnie (1964)
Stephen Jay Schneider chose this movie as one of the “1001 Movies You Must See Before You Die.” He compiled a massive list from the classic to the obscure for his anthology. The most worthy movies are chosen to be on this list. Every year, there is a revision to include the most essential movies to be on the minds of film buffs everywhere.
Marnie is a Hitchcock film that I never heard of before the 1001 Movie Club chose it as one of the films to watch. I didn’t know what the movie was about going into it. I went in completely blind. The result is that there is some intrigue in this mess of a movie.
Based on the novel by Winston Graham, the movie tells the story of a seasoned con artist by the name of Marnie (Tippi Hedren) who pilfered over nine thousand dollars from her former boss, Mr. Strutt (Martin Gabel) and is on the lam. When Strutt has the police over at his office, a client Mark Rutland (Sean Connery) overhears about the theft.
After the robbery, Marnie changes her identity like a chameleon with fake Social Security cards or changing her hair color from black to blond. She visits her emotionally distant mother, Bernice (Louise Latham) and showers her with extravagant gifts. She is jealous of a neighborhood girl, Jessie Cotton (Kimberly Beck) taking all of her mother’s attention. The mother is mindful that they shouldn’t have men in their lives, be free. Marnie has frequent nightmares about her childhood with her mother whenever red is shown or a thunderstorm. This happens frequently throughout the movie.
Marnie goes back out for her next con becoming another character looking for payroll clerk jobs to get close to the money to steal it. She is called in for an interview with the company that Mark owns. The trouble is that the two already met at Mr. Strutt’s company, but that was when she was raven-haired. Mark thinks that Marnie is familiar somehow, but he is not sure. He wants Mr. Warden to hire her instead of a more qualified person for the job
As Marnie starts her job, she learns more about the idiosyncrasies of the company like Mr. Ward (S. John Launer) never remembering the combination to the safe in his office and he has to rely on Mark and Ward’s secretary, Ms. Clabon (Mariette Hartley) to help him.
When Mr. Rutland wants her to work overtime, he discovers when a thunderstorm is happening. She is vulnerable. He kisses her and a relationship is blossoming, but remnants of her past of slowly eroding their relationship.
The Hitchcockian staples are present with the quick pan in and out, the weird close-ups on the characters faces, the obviously fake backdrops. There were some interesting moments in this film about the origins of Marnie’s panic attacks, her descent into madness towards the end of the movie. The plot itself was uneven. When a great moment was taking place, it is ruined by red on the screen or Tippi Hedren shrilling all over the screen.
1001 Movie Club Approved
Judgment: The movie is pure melodrama disguised as a Hitchcock movie.
One thing that had me scratching my heard is when Mark knew that Marnie stole the money from his company, he doesn’t turn him in, but he decides to have a shotgun wedding instead. Say what? Is Mark trying to shackle Marnie to him? As a prisoner? Is this supposed to be a slap to women’s lib? A woman cannot be single all of her life. She needs a man in her life. Great message.
Posted on January 1, 2010, in 1001 Movie Club Selection, 1964, Drama, Meme, Mystery, Thriller and tagged Alan Napier, Alfred Hitchcock, Bob Sweeney, Diane Baker, Kimberly Beck, Louise Latham, Mariette Hartley, Marnie, Martin Gabel, Milton Selzer, S. John Launer, Sean Connery, Tippi Hedren. Bookmark the permalink. 1 Comment.